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ankomsthallen p\u00e5 <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Sydhavn St.<\/span> og under togbroen.\u00a0<br \/><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Finissage fredag den 20. dec<\/span><\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">St\u00f8tte<br \/><\/span>Plakater og billboard er st\u00f8ttet af Statens Kunstfond og Augustinus Fonden. <br \/><span style=\\\"font-size: 16px;\\\">Udstillingen er st\u00f8ttet af K\u00f8benhavns Kommunes Billedkunstudvalg. \u00a0<\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><a href=\\\"mailto:Veronicariget@gmail.com\\\">Veronicariget@gmail.com<\/a><\/span><\/p><p class=\\\"_Br\u00f8d\\\">\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Udstillingen byder p\u00e5 oliemalerier malet p\u00e5 tr\u00e6plader i forskellige former og formater, en omskrivning af klassiske motiver som f.eks. landskabsmaleri eller interi\u00f8r som det kunne se ud n\u00e5r det sanses af en plante.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Til en konfirmation nogen tid tilbage, sad jeg til bords ved min f\u00e6tter Oliver. Han forsker i planters sansning, indbyrdes kommunikation, samt d\u00f8ds- og v\u00e6kstprocesser, og delte gener\u00f8st af erfaring og viden.\u00a0<\/span><span style=\\\"font-size: 16px;\\\">En s\u00e6rlig fort\u00e6lling r\u00f8rte mig. Et fors\u00f8g hvor en gensplejsning af en\u00a0<em>campanulaceae<\/em>\u00a0(ogs\u00e5 kendt som klokkeblomst), f\u00e5r udskiftet en sekvens af sit genom, hvilket for\u00e5rsager at blomsten ikke l\u00e6ngere kan visne.\u00a0<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Jeg ville gerne m\u00f8de denne plante. Opleve dens eksistens med lige dele sk\u00f8nhed og brutalitet. Men planten dyrkes i et sikret laboratorie. Den m\u00e5 aldrig m\u00e5 komme ud, og uvedkommende m\u00e5 ikke komme ind, for herved sikres at det fremstillede arvemateriale forbliver i det kontrollerede milj\u00f8 og ikke slipper l\u00f8s i naturen.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Udstillingen\u00a0<em>Teaching\u00a0foreign\u00a0language to a plant\u00a0<\/em>bygger videre p\u00e5 forestillingen om den fremstillede\u00a0<em>campanulaceaes<\/em>\u00a0melankolske poesi. Med inspiration af hvordan vores forst\u00e5else af planters kommunikation og sansning reduceres til en r\u00e6kke biokemiske stoffer og reaktionsm\u00f8nstre, har jeg arbejdet med olie og akvarel malet p\u00e5 udsk\u00e5rne plader. En serie af malerier der kan ses som en beretning til planten om verdenen udenfor.<\/span><\/p><p style=\\\"line-height: 1;\\\">\u00a0<\/p><p style=\\\"line-height: 1;\\\"><strong><span style=\\\"font-size: 16px;\\\">Plakatfrise og billboard<\/span><\/strong><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Veronica Riget har inviteret <strong>Absalon Kirkeby<\/strong> og <strong>Jonas Theis<\/strong> til sammen, uafh\u00e6ngigt af hendes egen udstilling, at lave en oph\u00e6ngning i plakatholderne.\u00a0<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">I billboardet ses et nyt v\u00e6rk af Veronica Rig\u00e9t fra serien,\u00a0<em>Every time I sleep in a new bed, I take one Photo to confirm I\u00b4m awake, and then I leave it. 05.08.2016<\/em><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 96,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1143,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 952,\r\n            \"cont\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-eee53f99ef7a.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-eee53f99ef7a.jpg\",\r\n              \"_4096\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-4096x2538-cc268f02f4d2.jpg\",\r\n              \"_3840\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-3840x2379-6553264b070d.jpg\",\r\n              \"_3200\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-3200x1983-78e2aa6bf3cb.jpg\",\r\n              \"_2560\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-2560x1586-54ef9cb02be0.jpg\",\r\n              \"_1920\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-1920x1190-5c6c8cf512a3.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-1280x793-15ee31e53998.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-1024x635-63465b195e0f.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-768x476-6a1ab492a712.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-512x317-1a0918f41cc4.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/presse_Veronica_Rige-CC-81t-265x164-7498d1c179ff.jpg\"\r\n            },\r\n            \"ar\": 0.6196331384801451,\r\n            \"alt\": \"\"\r\n          }\r\n        ]\r\n      },\r\n      \"frameOverflow\": \"right\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=950"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/950\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/952"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}