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arbejder i plakatholderne er lavet p\u00e5 Statens V\u00e6rksteder for Kunst, Gl. Dok.<i><br \/><\/i>Anne Skole Overgaard og Birgitte Thorlacius\u2019 og v\u00e6rker er st\u00f8ttet af Statens Kunstfond.<\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a><br \/><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Anne Skole Overgaard p\u00e5 <a href=\\\"mailto:mail@anneskole.dk\\\">mail@anneskole.dk<\/a> eller tlf 28760454<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div class=\\\"paragraph\\\" style=\\\"line-height: 1;\\\"><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><i><br \/><\/i>De tre kunstnere udstiller i hver deres rum p\u00e5 Sydhavn Station: Marmor er udgangspunktet for Anne Skole Overgaards v\u00e6rker i det lille rum, \u201dKastanje-breve\u201d er titlen p\u00e5 et v\u00e6rk af Helle Kingbird Bjerregaard i det store rum og Birgitte Thorlacius\u2019 grafik i plakatholderne er inspireret af den f\u00f8lelse hun har, n\u00e5r hun er p\u00e5 rejse, sidder i toget og ser ud gennem vinduet. De tre kunstnere har alle et materielt n\u00e6rv\u00e6r i deres v\u00e6rker.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">I S-togsstationens forhal, hvor folk haster forbi, udstiller Birgitte 15 originale grafiske tryk, som best\u00e5r af flere lag af aftryk og grafiske eksperimenter. Et tema er l\u00e6ngsel og det at man selv sidder stille, mens flygtige, uh\u00e5ndgribelige billeder farer forbi derude p\u00e5 den anden side af vinduet. Sm\u00e5 glimt af forskellige virkeligheder \u2013 skyer, fugleflokke, stubmarker og stjernehimmel.<span class=\\\"apple-converted-space\\\"><br \/><\/span><\/span><br \/><span style=\\\"font-size: 16px;\\\">L\u00e6ngsel, men efter at se ind i fremtiden, er ligeledes temaet i Helles rum, som har titlen \\\"Alkymisten\\\". I v\u00e6rkerne krydses hendes egen interesse for alkymiens \u00e5ndelige og materielle transformation - i jagten p\u00e5 de vises sten, forsynet og guldet, med hendes m\u00f8de med alkymisten. D\u00e9t alkymisten l\u00e6nges efter er h\u00e5bet, og klarhed om sin fremtid, der af eksistentielle og politiske grunde synes uvis. Et centralt v\u00e6rk handler om traditionen med, at l\u00e6se fremtiden i bunden af koppen, efter man har serveret tyrkisk kaffe. Kunstneren har lavet kopper til alkymistens kaffebar, som han s\u00e5 inderligt dr\u00f8mmer om. I udstillingen indg\u00e5r kopperne dog, som et muligt h\u00e5b, om at se ind i fremtiden. Sp\u00f8rgsm\u00e5let er om alkymisten nogensinde vil se sit hjemland igen. Udstillingens g\u00e6ster inviteres ogs\u00e5 til at f\u00e5 deres fremtid l\u00e6st i kopperne. Fjeren, der g\u00e5r igen som motiv, er symbolet p\u00e5 alkymiens forvandling, hvor man efter rejse gennem det uvisse, som en fugl F\u00f8nix genopst\u00e5r p\u00e5 ny, t\u00e6ttere p\u00e5 \u00e6teren - det himmelske lys og verdenssj\u00e6len.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">Anne Skole Overgaard har malet en draperet fane og en kvist med egel\u00f8v fra en marmorstatue i Carrara i Italien. Her har man hentet marmor i bjergene i hundredvis af \u00e5r og et foto viser dette hullede landskab, der er formet i takt med at marmoret er blevet hugget ud. Da Italien blev samlet omkring 1861 sagde man; \u201dNu har vi skabt Italien, s\u00e5 mangler vi bare at skabe italienerne\u201d \u2013 og det fors\u00f8gte man bl. a. at g\u00f8re ved at opstille nationale monumenter i hver en by, som statuen i Carrara. Kunstneren bor selv en del i Italien og overvejer om det er muligt for hende selv at blive italiener. Hun har lavet en marmorskulptur af et b\u00f8geblad, som et fors\u00f8g p\u00e5 et meget lille monument over den danske kulturelle baggrund hun til dels er formet af.<\/span><\/p><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 96,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1143,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        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