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class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div class=\\\"paragraph\\\" style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Courage Afternoon tager udgangspunkt i tyveriet som en aktiv handling, en handling der succesfuldt opn\u00e5s i det usynlige, men blotl\u00e6gges og synligg\u00f8res i udstillingen p\u00e5 Sydhavn Station<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">Udstillingen \u202ftager delvist udgangspunkt i de v\u00e6rkt\u00f8jer, som g\u00f8res brug af ved et tyveri og dels omkredser et menneskes frig\u00f8relse, i fald den afviger fra den kollektive \u202fsamvittighed. Eftermiddagen \u202fer tidspunktet p\u00e5 dagen, hvor det lille mod samler sig og man henfalder til sm\u00e5kriminalitet. Som folk forlader kontoret eller daginstitutionerne og skynder sig ud i almenrummet, bliver myldretiden et bindeled mellem mennesker. Et tidspunkt, hvor man kunne forestille sig, at flere fiktive handlinger l\u00f8ber sammen i \u00e9t.<\/span><br \/><span style=\\\"font-size: 16px;\\\"><i>Inde<\/i>\u00a0\u202fi udstillingsrummet fors\u00f8ges at synligg\u00f8re en overskridelse mellem det simultane, hvor flere steder og tider l\u00f8ber ind og ud mellem hinanden og danner kredsl\u00f8b.<\/span><br \/><span style=\\\"font-size: 16px;\\\"><i>Ude<\/i> \u202fi ankomsthallen, i de 15 plakater, vil der snarere forekomme en mere eller mindre synlig dialog, en r\u00e6kke anstr\u00f8g, som for nogen blot vil v\u00e6re \u201det landskab i tusm\u00f8rke\u201d (Tyvens Dagbog fra 1949 af Jean Genet)<\/span><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 96,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n   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\"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Courageafternoon-55ffbf9d88ad.jpg\",\r\n              \"_1920\": \"..\/..\/_assets\/Courageafternoon-1920x2560-a4f1c9368704.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/Courageafternoon-1280x1707-3693fdadaa01.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Courageafternoon-1024x1365-8b14ef4bd2d2.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Courageafternoon-768x1024-67a7ff2083e5.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Courageafternoon-512x683-043434ee55da.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Courageafternoon-265x353-9ddf0738b64c.jpg\"\r\n            },\r\n            \"ar\": 1.3333333333333333,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Installation view Courage Afternoon<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 663,\r\n            \"cont\": \"..\/..\/_assets\/courage.afternoon.sign-9367e97faa4d.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/courage.afternoon.sign-9367e97faa4d.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/courage.afternoon.sign_-1280x862-d5d4c4983740.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/courage.afternoon.sign_-1024x690-26901fba37e7.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/courage.afternoon.sign_-768x517-cfab85848df3.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/courage.afternoon.sign_-512x345-6d749d332481.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/courage.afternoon.sign_-265x178-fdcbfba7a423.jpg\"\r\n            },\r\n            \"ar\": 0.6735459662288931,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Installation view ankomsthallen Sydhavn St. <\/span><span style=\\\"font-size: 12px;\\\"><em>Courage Afternoon<\/em>, tegning p\u00e5 papir, indscannet, 80 x 120 cm<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 656,\r\n            \"cont\": \"..\/..\/_assets\/Afsats.180-2349b3746984.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Afsats.180-2349b3746984.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/Afsats.180-1280x1920-00971c72394a.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Afsats.180-1024x1536-0898325378be.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Afsats.180-768x1152-671e98474fb2.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Afsats.180-512x768-8166c062b97d.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Afsats.180-265x398-bb48a5ca4ff7.jpg\"\r\n            },\r\n            \"ar\": 1.5003528581510233,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Mads Juel, <\/span><span style=\\\"font-size: 12px;\\\">Untitled, analog farvefoto, 2018, <\/span><span style=\\\"font-size: 12px;\\\">\\\"Folk kunne g\u00e5 gennem rummet som tr\u00e6kvind\\\"<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 658,\r\n            \"cont\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-7ec480b6a897.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-7ec480b6a897.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-1280x1920-87077bb24d8b.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-1024x1536-f68e1ba821bf.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-768x1152-3dc7330f02b1.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-512x768-6b23e16024b6.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Afternoon-in-blue_ii..180-265x398-f7bbfb7f9497.jpg\"\r\n            },\r\n            \"ar\": 1.5003528581510233,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Mads Juel, <\/span><span style=\\\"font-size: 12px;\\\">Untitled, analog farvefoto, 2015, <\/span><span style=\\\"font-size: 12px;\\\">\\\"Send eftermiddag I. Der eksisterer sm\u00e5 diskrete forhold mellem graffitien p\u00e5 en husmur og kroppen i forbifart\\\"<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 657,\r\n            \"cont\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-5f9216479fbf.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-5f9216479fbf.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-1280x1920-4edbff918615.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-1024x1536-c7f32eb8c58a.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-768x1152-c4dabcdd1acd.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-512x768-e0cf94260c20.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Afternoon-in-blue_i.180-265x398-a30bc35d3fbb.jpg\"\r\n            },\r\n            \"ar\": 1.5003528581510233,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Mads Juel, <\/span><span style=\\\"font-size: 12px;\\\">Untitled, analog farvefoto, 2015, <\/span><span style=\\\"font-size: 12px;\\\">\\\"Send eftermiddag II. Ankomsthallen. Flere handlinger der snart er sidel\u00f8bende, vil snart, p\u00e5 underfundig vis, glide ind i hinanden\\\"<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 664,\r\n            \"cont\": \"..\/..\/_assets\/LONDON4.bw-b7794f3d3f03.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/LONDON4.bw-b7794f3d3f03.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/LONDON4.bw_-1280x853-aa4d75c995b7.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/LONDON4.bw_-1024x683-9af1034f2818.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/LONDON4.bw_-768x512-40c889ae63f0.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/LONDON4.bw_-512x341-e0d309740d09.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/LONDON4.bw_-265x177-b0ecb6a8b9c0.jpg\"\r\n            },\r\n            \"ar\": 0.6666666666666666,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Mads Juel, <\/span><span style=\\\"font-size: 12px;\\\">Untitled, analog foto, 2018,<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 669,\r\n            \"cont\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_10-85fba4c931f3.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_10-85fba4c931f3.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_10-1-44e6d71edd9b.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_10-7-e956d4190b5f.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_10-5-68e90551ca0c.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_10-2-da3c5f8f8e1e.jpg\"\r\n            },\r\n            \"ar\": 1.5004233700254022,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Mads Juel, <\/span><span style=\\\"font-size: 12px;\\\">Untitled, digital farvefoto, 2018<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 668,\r\n            \"cont\": \"..\/..\/_assets\/Ikke-navngivet-1-9b4d2409bc85.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Ikke-navngivet-1-9b4d2409bc85.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/Ikke-navngivet-1-1280x960-08f28d4ababb.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Ikke-navngivet-1-1024x768-9930d9a3f3e8.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Ikke-navngivet-1-768x576-7b73ec805be4.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Ikke-navngivet-1-512x384-be62c80be4a1.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Ikke-navngivet-1-265x199-7a5fd7efd9a6.jpg\"\r\n            },\r\n            \"ar\": 0.75,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Mads Juel, <\/span><span style=\\\"font-size: 12px;\\\">Untitled, analog farvefoto, 2018, <\/span><span style=\\\"font-size: 12px;\\\">\\\"Send eftermiddag. Tidsler og snyltere\\\"\u00a0<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 726,\r\n            \"cont\": \"..\/..\/_assets\/Boosterbags-b0a6d2cb203c.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Boosterbags-b0a6d2cb203c.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Boosterbags-1024x1536-43bfb236cad0.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Boosterbags-768x1152-c2ce8671a786.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Boosterbags-512x768-535e62f23d15.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Boosterbags-265x398-66ebd2fd5844.jpg\"\r\n            },\r\n            \"ar\": 1.5004233700254022,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Jonas Handskemager, <\/span><span style=\\\"font-size: 12px;\\\"><em>Boosterbags, <\/em><\/span><span style=\\\"font-size: 12px;\\\">2018, gips<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 659,\r\n            \"cont\": \"..\/..\/_assets\/paper.180-1173b4ccd0c2.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/paper.180-1173b4ccd0c2.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/paper.180-1024x683-4b9daa7addbe.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/paper.180-768x512-5d8965a4bbf2.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/paper.180-512x341-69435e95754b.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/paper.180-265x177-2dc6a45a6b08.jpg\"\r\n            },\r\n            \"ar\": 0.6669802445907808,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Installation view. Jonas Handskemager og Mads Juel, Stationsavis, Sydhavn St., 2018<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 661,\r\n            \"cont\": \"..\/..\/_assets\/STATIOBSAVIS.180-dea804454426.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/STATIOBSAVIS.180-dea804454426.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/STATIOBSAVIS.180-1280x1811-67ec5145a6fd.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/STATIOBSAVIS.180-1024x1449-353a5715e35a.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/STATIOBSAVIS.180-768x1086-fc6f96cc03b8.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/STATIOBSAVIS.180-512x724-6f5f258b2152.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/STATIOBSAVIS.180-265x375-b25a277ea49c.jpg\"\r\n            },\r\n            \"ar\": 1.4146505376344085,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Detalje\/forside. Jonas Handskemager og Mads Juel, Stationsavis, Sydhavn St., 2018<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 660,\r\n            \"cont\": \"..\/..\/_assets\/courage.afternoon.180-a30c4f945c8f.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/courage.afternoon.180-a30c4f945c8f.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/courage.afternoon.180-1280x1811-a6d02889203b.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/courage.afternoon.180-1024x1449-147edd97987c.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/courage.afternoon.180-768x1086-8657dee9ee95.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/courage.afternoon.180-512x724-238f85043f80.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/courage.afternoon.180-265x375-ffcaf9c3099f.jpg\"\r\n            },\r\n            \"ar\": 1.4146505376344085,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Opslag. Mads Juel, Stationsavis, Sydhavn St. \\\"Tekst om Ordsl\u00f8seri\\\", 2018<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 655,\r\n            \"cont\": \"..\/..\/_assets\/Ticket_Hesitate_1_PS-b6a44908c683.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Ticket_Hesitate_1_PS-b6a44908c683.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Ticket_Hesitate_1_PS-768x1097-5aaa2b5e49c3.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Ticket_Hesitate_1_PS-512x731-e5e6c4a2ea6d.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Ticket_Hesitate_1_PS-265x379-569be2e7643a.jpg\"\r\n            },\r\n            \"ar\": 1.4284274193548387,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Jonas Handskemager, <\/span><span style=\\\"font-size: 12px;\\\"><em>Negation, <\/em><\/span><span style=\\\"font-size: 12px;\\\">2018, <\/span><span style=\\\"font-size: 12px;\\\">121 cm x 80 cm, <\/span><span style=\\\"font-size: 12px;\\\">Thermal Papir<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 654,\r\n            \"cont\": \"..\/..\/_assets\/Ticket_Negation_1_PS-2c152e2eb1f7.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Ticket_Negation_1_PS-2c152e2eb1f7.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Ticket_Negation_1_PS-768x1097-10008771181b.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Ticket_Negation_1_PS-512x731-c75cdad31a85.jpg\",\r\n              \"_265\": \"..\/..\/_assets\/Ticket_Negation_1_PS-265x379-f7c8d54c4473.jpg\"\r\n            },\r\n            \"ar\": 1.4284274193548387,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Jonas Handskemager, <\/span><span style=\\\"font-size: 12px;\\\"><em>Negation, <\/em><\/span><span style=\\\"font-size: 12px;\\\">2018, <\/span><span style=\\\"font-size: 12px;\\\">121 cm x 80 cm, <\/span><span style=\\\"font-size: 12px;\\\">Thermal Papir<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 676,\r\n            \"cont\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_14-1-702ee54e500a.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_14-1-702ee54e500a.jpg\",\r\n              \"_1280\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_14-1-381b1fee52cb.jpg\",\r\n              \"_1024\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_14-1-ee48aabdb0cd.jpg\",\r\n              \"_768\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_14-1-ba9d2a03dec9.jpg\",\r\n              \"_512\": \"..\/..\/_assets\/Courage_Afternoon_Installationsview_14-1-4b2c74ecd577.jpg\",\r\n              \"_265\": 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