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background-color: #ffffff; letter-spacing: 0em;\\\">19. oktober \u2013 17. november 2024<\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><b>Raghvi Bhatia <\/b><span style=\\\"font-weight: 400;\\\">(ID\/US)<\/span><b>, Louise Bonde-Hansen <\/b><span style=\\\"font-weight: 400;\\\">(DK)<\/span><b>, Shamiran Istifan <\/b><span style=\\\"font-weight: 400;\\\">(CH)<\/span><b>, og Ida\u00a0<\/b><b>Lunden <\/b><span style=\\\"font-weight: 400;\\\">(DK)<\/span><b>, Live program by Christa Mako Teigen <\/b><span style=\\\"font-weight: 400;\\\">(US)\u2028<\/span><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 392,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"..\/..\/_assets\/text-red-043f8473eed6.png\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 391,\r\n      \"attid\": 2989,\r\n      \"sizes\": {\r\n        \"full\": \"..\/..\/_assets\/text-red-043f8473eed6.png\",\r\n        \"_4096\": \"..\/..\/_assets\/text-red-4096x1401-1c495a4a721a.png\",\r\n        \"_3840\": \"..\/..\/_assets\/text-red-3840x1314-8e666476592e.png\",\r\n        \"_3200\": \"..\/..\/_assets\/text-red-3200x1095-fd933ed49f9a.png\",\r\n        \"_2560\": \"..\/..\/_assets\/text-red-2560x876-aa45562782df.png\",\r\n        \"_1920\": \"..\/..\/_assets\/text-red-1920x657-5a7b2d252647.png\",\r\n        \"_1280\": \"..\/..\/_assets\/text-red-1280x438-ca5bdac224f6.png\",\r\n        \"_1024\": \"..\/..\/_assets\/text-red-1024x350-aee6d25d619b.png\",\r\n        \"_768\": \"..\/..\/_assets\/text-red-768x263-eb82686cccd4.png\",\r\n        \"_512\": \"..\/..\/_assets\/text-red-512x175-7186695d7fb7.png\",\r\n        \"_265\": \"..\/..\/_assets\/text-red-265x91-6c0560b731f2.png\"\r\n      },\r\n      \"ar\": 0.3420829805249788,\r\n      \"alt\": \"\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400;\\\">Gruppeudstillingen <\/span><i><span style=\\\"font-weight: 400;\\\">Borrowed Feathers <\/span><\/i><span style=\\\"font-weight: 400;\\\">(\\\"L\u00e5nte fjer\\\") udforsker den evne, ornamentik har til at rumme og skabe hengivenhed, nydelse, f\u00e6llesskab, symbolik og myter. (se fotos i bunden)<\/span><\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><b>\u00c5bningstider\u00a0<\/b><\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400;\\\">19. oktober \u2013 17. november 2024. <\/span><span style=\\\"font-weight: 400;\\\"><br \/><\/span><span style=\\\"font-weight: 400;\\\">Torsdag \u2013 s\u00f8ndag 13.00 \u2013 17.00\u00a0<\/span><\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Udstillingstitlen refererer til udtrykket \\\"at pynte sig med l\u00e5nte fjer\\\" fordi vi mener der er en tendens til at ornamentik regnes for noget bedragerisk\u2013 vildledende, kosmetisk og overfladisk \u2013 en slags r\u00f8gsl\u00f8r, der l\u00e6gges ud for at d\u00e6kke over mangel p\u00e5 substans. Kaster man et blik p\u00e5 teksten \u201cOrnament and Crime\u201d fra 1906 af arkitekt og kulturkritiker Adolf Loos, bliver det tydeligt, at den negative opfattelse af ornamentik ikke er tilf\u00e6ldig. Snarere udspringer den af den kendsgerning, at ornamentik i Vesten anskues som kvindeligt frem for mandligt, orientalsk frem for vestligt, kitschet frem for diskret, infantilt frem for modent og degenereret frem for sofistikeret.\u00a0<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">I de fire kunstneriske praksisser, der er samlet i denne udstilling, tager fremstillingen af ornamentik ofte form af en sociokulturel kritik og af omsorgsfulde handlinger, der skaber forbindelser. Gennem skulptur og installation bryder kunstnerne med de rene linjer og beherskede farvepaletter. Materialerne f\u00e5r lov at influere formen, og kunstnerne lader dem og de mange f\u00f8lelser, der knytter sig til omsorg, danne et f\u00e6lles v\u00e6v af betydninger, fejringer, k\u00e6rlighed og uorden.\u00a0<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-size: 12px;\\\"><b>Raghvi Bhatia <\/b><span style=\\\"font-weight: 400;\\\">har gennem sin kunstneriske praksis udviklet en typologi til en ny religion, hvor hun skaber plads til at s\u00e6tte sp\u00f8rgsm\u00e5lstegn ved komplicerede forestillinger om renhed, moral og absolutisme. <\/span><b>Ida Lunden <\/b><span style=\\\"font-weight: 400;\\\">unders\u00f8ger gennem sin skulpturpraksis de ritualer og overbevisninger, vi har i relation til f\u00f8dsel, d\u00f8d og erindring. Hun kanaliserer sine egne kropslige minder om omsorgshandlinger og aftryk af hendes k\u00e6res fysiske former ind i sine v\u00e6rker. Gennemg\u00e5ende for <\/span><b>Louise Bonde- Hansens <\/b><span style=\\\"font-weight: 400;\\\">praksis er en optagethed af det kunstige og skabte. Hun udforsker forskellige m\u00e5der at lindre f\u00f8lelsen af tab, udmattelse og kaos p\u00e5, og gennem hendes taktile v\u00e6rker inviteres beskueren til at l\u00f8srive sig lidt fra den fattede verden vi ellers f\u00e6rdes i. <\/span><b>Shamiran Istifans <\/b><span style=\\\"font-weight: 400;\\\">praksis er motiveret af hendes egne erfaringer med den m\u00e5de, hvorp\u00e5 klasse, k\u00f8n og religion former kollektivisme, politik og personlige relationer. Hendes v\u00e6rker fort\u00e6ller historier, der afviser den bin\u00e6re sociale og kulturelle scene, som det er blevet givet mange i hendes generation at st\u00e5 p\u00e5.\u00a0<\/span><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Borrowed Feathers er Raghvi Bhatias og Shamiran Istifans f\u00f8rste udstilling i Skandinavien.\u00a0<\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><b>Live program\u00a0<\/b><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">I l\u00f8bet af udstillingsperioden vil der blive afholdt forskellige begivenheder, der udforsker ornamentik b\u00e5de fysisk, relationelt og teoretisk. Alle begivenheder er gratis.\u2028Hold \u00f8je med vores facebook og sydhavnstation.info for fuldt program.\u00a0<\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><b>Adgangsforhold\u00a0<\/b><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Der er trinfri adgang til udstillingsstedet fra gaden af og adgang via elevator fra togperronen. Der er et ubemandet offentligt toilet p\u00e5 pladsen udenfor stationsbygningen med adgang for k\u00f8restolsbrugere.\u2028<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Udstillingen er kurateret af Louise Bonde-Hansen, Ida Lunden og Christa Mako Teigen.\u2028<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Udstillingen er st\u00f8ttet af Ny Carlsberg Fondet, Beckett Fonden, Statens Kunstfond og K\u00f8benhavns Kommunes R\u00e5det for Visuel Kunst. Plakater og billboard er st\u00f8ttet af Aage og Johanne Louis Hansens Fond<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-size: 30px;\\\"><b>Live Program\u00a0<\/b><\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-size: 12px;\\\"><b>Chaos Reading af Samira Ghoualmia, s\u00f8ndag 20. oktober kl. 12\u201313:30\u2028<\/b><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">NB foreg\u00e5r p\u00e5 engelsk.<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Om eventet:<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">\\\"The Chaos Reading is an associative, intuitive way of fictioning approaches to different kinds of knowledge(s). Throughout associating and crisscrossing snippets from the selected texts, we form our own messy spirals and dreams to reimagine relations, stretching boundaries of how we are taught to read and write to open up a collective polyphonie and a scape of co-learning, attempting to undo linear, fixed hierarchies of learning. \\\"<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">This iteration of The Chaos Reading will work with texts proposed by the artists exhibiting in 'Borrowed Feathers', Raghvi Batia (ID\/US), Louise Bonde-Hansen (DK), Shamiran Istifan (CH), and Ida Lunden (DK). Some texts include Ornament and Crime (1908) by Adolf Loos, Chromophobia by David Batchelor, Theodor W. Adorno's text on Functionalism.<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Samira Ghoualmia is a cultural practitioner, writer, educator, and independent researcher based between Berlin and Tunis. Her academic education is in (African) art history. In her practice, she moves through non-linear forms of knowledge that merge into cross-references undoing fixed boundaries of linear knowledge production. She is interested in multi-sensory forms of diasporic storytellings and radical methodologies of collective learning. Recently, she has participated as a main tutor for the Dutch Art Institute Roaming Academy MA in Art Praxis as a member of Archive Ensemble. She has co-curated and coordinated the art education program of the 12th Berlin Biennale for Contemporary Art. She has worked with several institutions such as the 11th Berlin Biennale of Contemporary Art, Archive Books, Savvy Contemporary, KW Institute for Contemporary Art, Haus der Kulturen der Welt, 34th Ljubljana Graphic Biennial, Ljubljana amongst others.<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-size: 12px;\\\"><b><i>L\u00e6sekreds (Reading Circle)<\/i><\/b><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Vi samles og l\u00e6ser tekster hver torsdag kl 16-17 i udstillingperioden. En af udstillingens kuratorer vil v\u00e6re til stede og gennemg\u00e5 et par sider af essays eller tekster som er relevante for udstillingen. Vi vil l\u00e6se teksterne sammen og diskutere dem frit. Det kr\u00e6ver ingen forberedelse at deltage, og man beh\u00f8ver ikke at deltage hver gang.\u00a0<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-size: 12px;\\\"><b>Reading Circle<\/b><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">We continue a reading practice each week on Thursdays, from 16\u201317 at the exhibition. One of the curators of the exhibition will offer a couple of pages of essays or writings that are connected to the exhibition and their practice to read together and discuss and reflect freely. No preparation is required.\u00a0<\/span><\/p><p><br \/><br \/><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Torsdag, 31. oktober kl. 16 - 17 \/ Thursday, October 31st, 16 - 17<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">'Ornament and Crime' by Adolf Loos (1908)\u00a0<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(EN)<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">\u00a0<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Torsdag 7. november kl. 16 \u2013 17 \/ Thursday, November 7th, 16 - 17<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">'Vedligeholdelsens poetik' af Mille Breyen Hauschildt (2024)<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Text in Danish<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(EN\/DA)<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Torsdag 14. november kl. 16 \u2013 17<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">'Chromophobia' af David Batchelor (2000)<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Tekts p\u00e5 engelsk<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(EN\/DA)<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-size: 12px;\\\"><i><span style=\\\"font-weight: 400;\\\">Interactive Mediation\u00a0<\/span><\/i><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">L\u00f8rdag 9. november kl. 13-15 \/ Saturday, November 9th, 13-15<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Kunstner, somatisk terapeut og kunstformidler Louisa Yaa Aisin byder bes\u00f8gende velkommen i udstillingsrummet, med dets elementer og ornamenter, for at afd\u00e6kke de myter, der venter p\u00e5 at blive fortalt under overfladerne. Gennem bev\u00e6gelse, skulpturel positionering og ved at dv\u00e6le ved v\u00e6rkerne vil Yaa Aisin skabe rum til dialog til at indtage rummet sammen.<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(gratis, DA\/EN)<\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">Artist, somatic therapist, and art mediator Louisa Yaa Aisin welcomes visitors into the space, with its elements and ornaments, to uncover the myth(s) that seeks to be told under their surfaces. Through motion, sculptural positioning, and dwelling with the works, Yaa Aisin will create a space to dialogue and inhabit the space together.\u00a0<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(free, DK\/EN)<\/span><\/p><p><br \/><br \/><\/p><p><span style=\\\"font-size: 12px;\\\"><i><span style=\\\"font-weight: 400;\\\">Ornamenting the Occasion\u00a0<\/span><\/i><\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400;\\\">Torsdag 14. november kl. 15\u201317\/ <\/span><span style=\\\"font-weight: 400;\\\">Thursday, November 14. 15\u201317<\/span><\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400;\\\">Blomsterv\u00e6rksted med RHOD-blomster \/ <\/span><span style=\\\"font-weight: 400;\\\">Floral workshop with RHOD flowers<\/span><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(gratis, DA\/EN) <\/span><span style=\\\"font-weight: 400; font-size: 12px;\\\">(free, drop-in, DK\/EN)<\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">\u00a0<\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><i><span style=\\\"font-weight: 400;\\\">Artist Talk med Raghvi Bhatia<\/span><\/i><\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400;\\\">Fredag \u200b\u200b15. november kl. 16\u201317 \/ <\/span><i><span style=\\\"font-weight: 400;\\\">Friday Nov 15. 16\u201317<\/span><\/i><\/span><\/p><p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400;\\\">Begivenhed skal bekr\u00e6ftes endeligt, afventer svar p\u00e5 visumgodkendelse \/ <\/span><i><span style=\\\"font-weight: 400;\\\">To be confirmed: Pending visa approval<\/span><\/i><\/span><\/p><p><span style=\\\"font-weight: 400; font-size: 12px;\\\">(gratis, EN) <\/span><span style=\\\"font-size: 12px;\\\"><i><span style=\\\"font-weight: 400;\\\">(free, EN)<\/span><\/i><\/span><\/p><p>\u00a0<\/p><p><span style=\\\"font-size: 12px;\\\"><i><span 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