{"id":2986,"date":"2024-09-11T13:30:26","date_gmt":"2024-09-11T12:30:26","guid":{"rendered":"https:\/\/sydhavnstation.info\/?p=2986"},"modified":"2024-10-29T09:28:13","modified_gmt":"2024-10-29T09:28:13","slug":"straler-fra-halv-sol","status":"publish","type":"post","link":"https:\/\/sydhavnstation.info\/straler-fra-halv-sol\/","title":{"rendered":"STR\u00c5LER FRA HALV SOL &#8211; Soloudstilling af Camilla Rasborg"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2984,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[10,80],"class_list":["post-2986","post","type-post","status-publish","has-post-thumbnail","hentry","category-tidligere","tag-kunst","tag-maleri"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Soloudstilling af Camilla Rasborg\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"google-site-verification\" content=\"8xYfjaGJcyA-OeygHNEXtoQ1QZhe02e_0xLfvVYr880\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/sydhavnstation.info\/straler-fra-halv-sol\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_GB\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Udstillingstedet Sydhavn Station - Samtidskunst i en stationsbygning i K\u00f8benhavns Sydhavn, og er kunstnerdrevet. 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V\u00e6rket er et maleri p\u00e5 300 aflange stave af m\u00f8rkt tr\u00e6 fra et vandskadet og kasseret parketgulv fra min stue. Stavene er malet med tempera med vildtvoksende motiver, der konstant skifter eller forts\u00e6tter deres motiv over i hinanden. V\u00e6rket spreder sig ud fra en halvcirkel p\u00e5 gulvet, et omrids, der kunne v\u00e6re en solnedgang eller solopgang.<\/span><br \/><br \/><span style=\\\"font-size: 12px;\\\">I plakatfrisen i stationens forhal viser jeg 15 nye relieffer, jeg har kaldt RUM UDEN V\u00c6GGE. De er skabt af de stykker flig, der er sl\u00e5et af stavene i det f\u00f8romtalte v\u00e6rk. De er spinkle, r\u00e5 tr\u00e6stykker f\u00e6stnet p\u00e5 pap, som hurtige str\u00f8g. Deres \u00e5bne udtryk tvinger blikket til selv at fylde tomrummene ud.\u00a0<\/span><br \/><br \/><span style=\\\"font-size: 12px;\\\">Udenfor p\u00e5 muren ved stationens indgang kan man se et stort print af et forst\u00f8rret maleri med titlen M\u00d8RKE. I overf\u00f8rslen fra analogt maleri til et digitalt og forst\u00f8rret billede er der opst\u00e5et nogle utilsigtede digitale spor, sm\u00e5 uregelm\u00e6ssigheder i billedet, som jeg har givet fokus og betonet, s\u00e5 de er blevet en del af v\u00e6rkets motiv. V\u00e6rket er ogs\u00e5 brugt her i nyhedsbrevet.<\/span><br \/><br \/><span style=\\\"font-size: 12px;\\\">P\u00e5 udstillingen vises ogs\u00e5 et par nye mindre v\u00e6rker, i andre formater og materialer.<\/span><br \/><br \/><span style=\\\"font-size: 12px;\\\">V\u00e6rkerne p\u00e5 udstillingen har spor af levet liv og forfald. Der indg\u00e5r materialer, som er oph\u00f8rt med at have en funktion i verden. Dette menneskelige aspekt tilf\u00f8rer materialerne en skr\u00f8belighed og har ansporet mig til, gennem kunsten, at g\u00f8re modstand og tage materialernes muligheder med over i den videre proces p\u00e5 atelieret. Jeg benytter mig af spor og fejl i de kasserede materialers begyndende forfald. Det er en s\u00f8gende og intuitiv proces. I stedet for et planlagt motiv, bliver malerierne og tegningerne manet frem efterh\u00e5nden. Den manglende helhed i motiverne g\u00f8r, at man m\u00e5 indlade sig p\u00e5 ulogiske overgange og fors\u00f8ge at skabe forbindelse mellem de svage genkendelige elementer, der bliver for\u00e6ret.<\/span><br \/><span style=\\\"font-size: 12px;\\\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table><table border=\\\"0\\\" width=\\\"100%\\\" cellspacing=\\\"0\\\" cellpadding=\\\"0\\\"><tbody><tr><td valign=\\\"top\\\"><table border=\\\"0\\\" width=\\\"100%\\\" cellspacing=\\\"0\\\" cellpadding=\\\"0\\\" align=\\\"left\\\"><tbody><tr><td valign=\\\"top\\\"><span style=\\\"font-size: 12px;\\\"><img class=\\\"m_-1469470596423741660mcnImage CToWUd a6T\\\" tabindex=\\\"0\\\" src=\\\"https:\/\/ci3.googleusercontent.com\/meips\/ADKq_NZNlncl8s5tx9RpWvrd1l5Dom4zMgdKTUubVOiggZmBgr6-2kzecZL7UFtNfJ1mmm9AgPOCPE3puk5EGFIXLGdLyYhx0bph7VGr_UpGVoLjjBdqqLF9nP3SFGKVyljlUhj8ozfpPg0fRBXPa0Tp1AgGpzuM5mvLrOM=s0-d-e1-ft#https:\/\/mcusercontent.com\/b489c9565f92839fe2c8a24ad\/images\/bbf933cd-5893-0222-2ccb-49468034db7b.jpg\\\" alt=\\\"\\\" width=\\\"564\\\" align=\\\"center\\\" data-bit=\\\"iit\\\" \/><\/span><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table><\/td><\/tr><tr><td id=\\\"m_-1469470596423741660templateBody\\\" valign=\\\"top\\\"><table border=\\\"0\\\" width=\\\"100%\\\" cellspacing=\\\"0\\\" cellpadding=\\\"0\\\"><tbody><tr><td valign=\\\"top\\\"><table class=\\\"m_-1469470596423741660mcnTextContentContainer\\\" border=\\\"0\\\" width=\\\"100%\\\" cellspacing=\\\"0\\\" cellpadding=\\\"0\\\" align=\\\"left\\\"><tbody><tr><td class=\\\"m_-1469470596423741660mcnTextContent\\\" valign=\\\"top\\\"><br \/><br \/><span style=\\\"font-size: 12px;\\\"><strong>Udstillingen er st\u00f8ttet af:<\/strong><\/span><br \/><span style=\\\"font-size: 12px;\\\">Ny Carlsbergfondet, Grosserer L. F. Foghts Fond, Statens Kunstfond og K\u00f8benhavns Kommune R\u00e5det for Visuel Kunst<strong>.<\/strong><\/span><br \/><br \/><span style=\\\"font-size: 12px;\\\"><strong>Plakatfrise og billboard er st\u00f8ttet af<\/strong><strong>:<\/strong><\/span><br \/><span style=\\\"font-size: 12px;\\\">Poul Johansen Fonden\u00a0og\u00a0Aage og Johanne Louis-Hansens Fond.<\/span><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 392,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2986"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2986\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2984"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}