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en soloudstilling af Sonja Lilleb\u00e6k Christensen","link":"https:\/\/sydhavnstation.info\/gi-og-ta\/"}],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 3,\r\n  \"rowGutters\": [\r\n    3,\r\n    3,\r\n    3\r\n  ],\r\n  \"frameMargin\": 1,\r\n  \"topFrameMargin\": 15,\r\n  \"bottomFrameMargin\": 3,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 2982,\r\n        \"url\": \"..\/..\/_assets\/SKF_stempel_Blue_RGB-fa87ab5a6097.png\",\r\n        \"sizes\": {\r\n          \"_1280\": {\r\n            \"w\": 1280,\r\n            \"h\": 1256,\r\n            \"url\": \"..\/..\/_assets\/SKF_stempel_Blue_RGB-1280x1256-d555fc09af3f.png\"\r\n          },\r\n          \"_1024\": {\r\n            \"w\": 1024,\r\n            \"h\": 1005,\r\n            \"url\": \"..\/..\/_assets\/SKF_stempel_Blue_RGB-1024x1005-2afc3742f3ce.png\"\r\n          },\r\n          \"_768\": {\r\n            \"w\": 768,\r\n            \"h\": 754,\r\n            \"url\": \"..\/..\/_assets\/SKF_stempel_Blue_RGB-768x754-82f4ebac19ff.png\"\r\n          },\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 502,\r\n            \"url\": \"..\/..\/_assets\/SKF_stempel_Blue_RGB-512x502-ec98ee51c572.png\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 260,\r\n            \"url\": \"..\/..\/_assets\/SKF_stempel_Blue_RGB-265x260-094175c076f8.png\"\r\n          }\r\n        }\r\n      },\r\n      \"row100vh\": true\r\n    },\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"..\/..\/_assets\/1_presse-scaled-7b97476feae6.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 391,\r\n      \"attid\": 2977,\r\n      \"sizes\": {\r\n        \"full\": \"..\/..\/_assets\/1_presse-scaled-7b97476feae6.jpg\",\r\n        \"_4096\": \"..\/..\/_assets\/1_presse-4096x2303-0e9d6934623a.jpg\",\r\n        \"_3840\": \"..\/..\/_assets\/1_presse-3840x2159-f383ebdee8fe.jpg\",\r\n        \"_3200\": \"..\/..\/_assets\/1_presse-3200x1799-de9a3acafd75.jpg\",\r\n        \"_2560\": \"..\/..\/_assets\/1_presse-2560x1439-ec0352b88b4e.jpg\",\r\n        \"_1920\": \"..\/..\/_assets\/1_presse-1920x1080-e4f066d0515b.jpg\",\r\n        \"_1280\": \"..\/..\/_assets\/1_presse-1280x720-0d1f1c5117f0.jpg\",\r\n        \"_1024\": \"..\/..\/_assets\/1_presse-1024x576-89acadf18192.jpg\",\r\n        \"_768\": \"..\/..\/_assets\/1_presse-768x432-fdb9781a1158.jpg\",\r\n        \"_512\": \"..\/..\/_assets\/1_presse-512x288-6588a1c68072.jpg\",\r\n        \"_265\": \"..\/..\/_assets\/1_presse-265x149-dea956b17e2b.jpg\"\r\n      },\r\n      \"ar\": 0.562109375,\r\n      \"alt\": \"3 kanals video-skulptur\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-size: 16px;\\\"><b>GI\u2019 og TA\u2019<\/b><\/span><b> \u00a0<\/b><\/span><span style=\\\"font-size: 12px;\\\">en soloudstilling af Sonja Lilleb\u00e6k Christensen<\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">Fra 9. aug - 8. sep <\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">GI\u2019 og TA\u2019 er en stor videoskulptur best\u00e5ende af bemalede geometriske former i overst\u00f8rrelse som der er projekteret video p\u00e5 med undervandsbilleder, tekst og lyd.<\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">Jeg har v\u00e6ret ude og filme i den nu n\u00e6sten livsforladte danske fjord, som min far begik selvmord i for mange \u00e5r siden. V\u00e6rket er ikke som s\u00e5dan et milj\u00f8politisk v\u00e6rk, selvom jeg tager udgangspunkt i de mediekendte undervandsbilleder fra de d\u00f8de danske indre farvande. De velkendte smukke og urov\u00e6kkende billeder g\u00e5r over i en mere personlig melankolsk associationsr\u00e6kke om overgange i livet, d\u00f8den og om s\u00f8gen efter noget st\u00f8rre, noget andet, m\u00e5ske noget bedre.<\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">Jeg m\u00e5 jo indr\u00f8mme at disse kendte undervandsbilleder af frav\u00e6ret, giver mig plads til at dr\u00f8mme og forestille mig noget andet end det eksisterende. Men jeg vil selvf\u00f8lgelig gerne have levende have hvor fisk og planter trives, og en levende far, men det sidste kan jeg nok ikke h\u00e5be p\u00e5.<\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">Jeg har taget mine egne erfaringer med og forestillinger om overgange mellem liv og d\u00f8d, og blandet dem med H.C. Andersens eventyr Den Lille Havfrue og den gr\u00e6ske filosof Platon (f.427 f.v.t.) og hans str\u00e6ben efter det sande, det gode og perfekte, som han p\u00e5stod den fuldendte geometriske kugle er. \u201c<i>Lad ingen uden kendskab til geometri f\u00e5 adgang her\u201d<\/i> stod der over d\u00f8ren til Platons akademi i Athen.\u00a0<\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">P\u00e5 en m\u00e5de forestiller jeg mig nok at der altid er \u201cet efter\u201d, at tingene ikke slutter med d\u00f8den\/udryddelsen. Udstillingens titel GI\u2019 og TA\u2019 er en slags overs\u00e6ttelse af put and take, alts\u00e5 n\u00e5r man tager noget, l\u00e6rer noget, skal man give noget tilbage, om det er viden eller ting.<\/span><\/p><p style=\\\"line-height: 0.7;\\\"><span style=\\\"font-size: 12px;\\\">Videoskulpturen g\u00e5r i dialog med en plakatfrise i S-togshallen og p\u00e5 billboardet ved indgang til stationen.<\/span><\/p><p><span style=\\\"font-size: 12px;\\\">Udstillingen er pr\u00e6mieret af statens kunstfond. Plakater og billboard er st\u00f8ttet af Aage og Johanne Louis Hansens Fond.<\/span><\/p><p>\u00a0<\/p><p>\u00a0<\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 4\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-size: 21px;\\\"><b>Det er med stor gl\u00e6de, vi kan fort\u00e6lle, at SKF har <\/b><\/span><span style=\\\"font-size: 21px;\\\"><b>pr\u00e6mierer \u201dGI\u00b4 OG TA\u00b4\u201d p\u00e5 Udstillingsstedet Sydhavn Station\u00a0<\/b><\/span><\/p><p><span style=\\\"font-size: 14px;\\\"><b>Derfor pr\u00e6mierer udvalget \u201dGI\u00b4 OG TA\u00b4\u201d<\/b><\/span><\/p><p><span style=\\\"font-size: 14px;\\\">\u201d\u201dGI' og TA'\\\" er en bem\u00e6rkelsesv\u00e6rdig videoinstallation, der udm\u00e6rker sig ved sin enkle tilgang til <\/span><span style=\\\"font-size: 14px;\\\">komplekse temaer. V\u00e6rket pr\u00e6senterer en fusion af visuelle og auditive elementer, herunder malede <\/span><span style=\\\"font-size: 14px;\\\">figurer, stemningsfulde undervandsbilleder og en gennemt\u00e6nkt lydside. <\/span><\/p><p><span style=\\\"font-size: 14px;\\\">Lilleb\u00e6k Christensen form\u00e5r med stor dygtighed at adressere alvorlige milj\u00f8m\u00e6ssige udfordringer i de <\/span><span style=\\\"font-size: 14px;\\\">danske farvande. Det bem\u00e6rkelsesv\u00e6rdige ved hendes tilgang er, hvordan hun forankrer disse <\/span><span style=\\\"font-size: 14px;\\\">globale problemstillinger i en personlig kontekst. Ved at v\u00e6ve sine egne erfaringer med tabet af sin far <\/span><span style=\\\"font-size: 14px;\\\">sammen med bredere temaer om forandring skaber kunstneren en resonans, der g\u00f8r det abstrakte <\/span><span style=\\\"font-size: 14px;\\\">konkret og n\u00e6rv\u00e6rende. <\/span><\/p><p><span style=\\\"font-size: 14px;\\\">En s\u00e6rlig styrke ved \\\"GI' og TA'\\\" er dens evne til at sammenk\u00e6de forskellige intellektuelle og <\/span><span style=\\\"font-size: 14px;\\\">kulturelle str\u00f8mninger. Lilleb\u00e6k Christensen tr\u00e6kker inspiration fra H.C. Andersens eventyrlige <\/span><span style=\\\"font-size: 14px;\\\">univers og integrerer elementer af gr\u00e6sk filosofi, hvilket resulterer i et v\u00e6rk, der er b\u00e5de lokalt <\/span><span style=\\\"font-size: 14px;\\\">forankret og universelt i sit udsyn. Denne sammensmeltning inviterer beskueren til at reflektere over <\/span><span style=\\\"font-size: 14px;\\\">eksistentielle sp\u00f8rgsm\u00e5l p\u00e5 en m\u00e5de, der er b\u00e5de tilg\u00e6ngelig og dybsindig.<\/span><\/p><p><span style=\\\"font-size: 14px;\\\">Teknisk set demonstrerer \\\"GI' og TA'\\\" en beherskelse af det digitale medie. Videoinstallationen er n\u00f8je<\/span><span style=\\\"font-size: 14px;\\\">komponeret, hvor hvert element bidrager til en helhedsoplevelse, der er b\u00e5de visuelt interessant og <\/span><span style=\\\"font-size: 14px;\\\">tankev\u00e6kkende. Lilleb\u00e6k Christensens evne til at orkestrere disse forskellige komponenter vidner om <\/span><span style=\\\"font-size: 14px;\\\">en moden kunstnerisk stemme og en sikker h\u00e5nd i udf\u00f8relsen.\u201d<\/span><\/p><p><span style=\\\"font-size: 14px;\\\"><b>Kunstnerisk kvalitet af h\u00f8j karakter skal anerkendes<\/b><\/span><\/p><p><span style=\\\"font-size: 14px;\\\">Kunstfonden tildeler hvert \u00e5r pr\u00e6mieringer til kunstnere og institutioner, som har skabt et v\u00e6rk eller en <\/span><span style=\\\"font-size: 14px;\\\">udstilling af s\u00e6rlig h\u00f8j kunstnerisk kvalitet. En pr\u00e6miering er alts\u00e5 et ekstra skulderklap til dem, der <\/span><span style=\\\"font-size: 14px;\\\">har gjort sig s\u00e6rlig bem\u00e6rket inden for et bestemt kunstomr\u00e5de.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2976"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2977"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}