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fotoprintet tegning p\u00e5 billboardet ved stationens hovedindgang og en videoinstallation inde i selve udstillingsrummet.<br \/><br \/><b>Videoinstallationen: Tr\u00e5d Terapi<\/b><br \/>Rummet er delt op af et gardin der danner et intimt rum omkring videoen som vises p\u00e5 en stor sk\u00e6rm indkapslet i en tr\u00e6skulptur. Videov\u00e6rket inviterer beskueren ind i en taktil terapisession imellem tre pseudofiktionelle karakterer placeret i et roterende tredimensionelt rum. V\u00e6rkets tekst er baseret p\u00e5 vores eget samarbejde og er udviklet efter et forl\u00f8b hos en parterapeut og derefter omskrevet til sin nuv\u00e6rende form. Som samtalen skrider frem, spinder de tre karakterer i f\u00e6llesskab en tr\u00e5d der skaber forbindelse mellem dem og beskueren.<br \/>I kontrast til videoinstallationen der roterer, cirkulerer og k\u00f8rer i loop, udnyttes stationens plakatfrise til at udforske det line\u00e6re. Med afs\u00e6t i vores samarbejde har vi illustreret et f\u00e6lles univers, og de mange verdener vi bev\u00e6ger os rundt i. <br \/>Hovedkaraktererne i frisen er de h\u00f8jpandede personer som vi ogs\u00e5 m\u00f8der i videov\u00e6rket. Derudover figurerer der mange cirkler, huller og kopper der p\u00e5 sin egen m\u00e5de fors\u00f8ger at modarbejde tegneseriens line\u00e6re natur. V\u00e6rket er ogs\u00e5 et materielt eksperiment i samarbejdets muligheder og begr\u00e6nsninger. Kan det lade sig g\u00f8re at samarbejde om at tegne? Kan det lade sig g\u00f8re helt at udviske den individuelle streg?<br \/><br \/><b>Udstillingens<\/b> gennemg\u00e5ende tema er vores relationer og betydningen af de netv\u00e6rker vi skaber og de forbindelser vi danner. Samtidig anerkender udstillingen de eksistentielle udfordringer der er i at skabe og vedholde transformative forbindelser. Udstillingens v\u00e6rker er alle skabt med et konkret afs\u00e6t i vores eget mange\u00e5rige samarbejde og er resultatet af en unders\u00f8gende og eksperimenterende tilgang til vores f\u00e6lles proces. <\/span><br \/><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\"><span style=\\\"font-size: small;\\\">I udstillingen m\u00f8der det hyperpersonlige det hyperbolske i et forstyrrende visuelt sammenst\u00f8d mellem analoge DIY specialeffekter og den digitale og virtuelle 3d-virkelighed. De to udtryk spejler hinanden og bliver gensidigt repr\u00e6sentative idet de begge morpher, transformerer og udvikles. V\u00e6rkerne tr\u00e6kker s\u00e5ledes en tr\u00e5d fra den tidlige v\u00e6veteknologi til den videnskabelige tr\u00e5d teori og samtidens computerprogrammering. De visuelle kontraster bevidstg\u00f8rer os om den korte levetid som b\u00e5de kroppen og programmerbar teknologi deler og peger os i retning af deres f\u00e6lles strukturer og gensidige afh\u00e6ngighed<br \/>Vi har med en legende tilgang til vores kildemateriale skabt en alternativ virkelighed hvor sci-fi tvindes med mytologi, spiritualitet og naturvidenskab. En vigtig reference for os er sk\u00e6bnegudinderne: Tre kvinder der ved f\u00e6lles kraft spinder sk\u00e6bnens tr\u00e5d. \u00c9n deler, \u00e9n spinner og \u00e9n klipper tr\u00e5den, som repr\u00e6senterer sk\u00e6bnen og tiden. At spinde livets tr\u00e5d, har I denne virkelighed udviklet sig til en meditativ spindekreds hvor den personlige og kropslige forbindelse imellem karaktererne bliver selve den maskine der spinder tr\u00e5den. Frem for at opfatte sk\u00e6bnen som noget stort og uh\u00e5ndgribeligt, sammenfletter karaktererne den kropslige oplevelse af arbejde, f\u00f8dsel og genetisk arv og skaber i samarbejdet den fysiske forbindelse der muligg\u00f8r \u00e6ndringer og transformationer henover tid. <br \/><b><\/b><br \/><strong>Udstillingen er st\u00f8ttet af: Statens kunstfond, K\u00f8benhavns Kommune, og Carlsberg fondet.<\/strong> <br \/>Derudover vil vi gerne takke parterapeut Jeannette \u00d8broe og Kunstnernes Efter\u00e5rsudstilling 21 for at udv\u00e6lge os til \u00e5rets KE21 pris og hermed facilitere v\u00e6rkets igangs\u00e6ttelse. <\/span><\/span><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 10,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2805"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2805\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2810"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}