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og Sverige, der kredser om det universale og basale tema liv og d\u00f8d. Det er givetvis et meget \u00e5bent tema, som ogs\u00e5 tolkes forskelligt. Nogle kunstnere griber sagen an med sort humor, mens andre er mere til den alvorlige side. Nogle tenderer til det mystiske og alkymistiske. Nogle kunstnere l\u00e6gger v\u00e6gt p\u00e5 livet, andre p\u00e5 d\u00f8den.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Albin Werle viser mystiske billeder som er vigtige komponenter i eksistentielle rituelle spil.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Elsa Salonen bidrager med hendes lettere alkymistiske \u201cStudy of Eternal Cycle\u201d, hvor plantefarver extraheret af en rose projiceres p\u00e5 selvsamme rose i afbleget form.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Den tyske kunstner Fabian Weinecke d\u00f8de ung og lavede en r\u00e6kke sirlige tegninger kort inden sin d\u00f8d, som vi viser i samarbejde med hans enke.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Jes Brinch derimod forarbejder temaet i en installation med en kiste som udviser en del sort humor. Til dels henter han inspiration til motiverne i den buddhistiske ikonografi.\u00a0<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Joanna Schulte viser dia-kukkasser som viser hende st\u00e5 i storsl\u00e5ede landskaber if\u00f8rt en r\u00f8d kjole og st\u00e5r for plakatfrisen i forhallen.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Karen Winzer har illustreret makabre fort\u00e6llinger om d\u00f8dsulykker, som hun fik fortalt da hun arbejdede p\u00e5 en g\u00e5rd i Schweiz.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Mie V. Jensen viser et udvalg af hendes mange sm\u00e5 tegninger som ligner fatalistiske dagbogsnotater, kogt ned til en essens af enkelte sortsynede udsagn, dog med et vist glimt i \u00f8jet.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">Svenske Peter Johansson tvinger beskueren til at mase sig forbi en gigantisk p\u00f8lse for at komme ind i udstillingsrummet. Dette kan forekomme morsomt, men er if\u00f8lge Johansson en metafor der hentyder til hans livshistorie med svigt og seksuelt misbrug.<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">\u00c5bent torsdag-s\u00f8ndag kl 13-17<\/span><\/p><p class=\\\"p1\\\"><span style=\\\"font-size: 16px;\\\">15.10.-13.11.22<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2786"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2786\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2785"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}