{"id":2775,"date":"2022-09-20T07:16:27","date_gmt":"2022-07-29T11:23:41","guid":{"rendered":"https:\/\/sydhavnstation.info\/hvis-tiden-er-vigtig-2\/"},"modified":"2022-12-04T18:01:32","modified_gmt":"2022-12-04T18:01:32","slug":"intet-guld-forbliver","status":"publish","type":"post","link":"https:\/\/sydhavnstation.info\/intet-guld-forbliver\/","title":{"rendered":"INTET GULD FORBLIVER &#8211; Anne Langgaard og Agnete Bertram"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2777,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"class_list":["post-2775","post","type-post","status-publish","has-post-thumbnail","hentry","category-tidligere"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"google-site-verification\" content=\"8xYfjaGJcyA-OeygHNEXtoQ1QZhe02e_0xLfvVYr880\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/sydhavnstation.info\/intet-guld-forbliver\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_GB\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Udstillingstedet Sydhavn Station - Samtidskunst i en stationsbygning i K\u00f8benhavns Sydhavn, og er kunstnerdrevet. 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Det er gentagelsen, de sm\u00e5 hj\u00e6lpemidler i dagens rutiner og de helt store sp\u00f8rgsm\u00e5l, der flyder sammen i en str\u00f8m af genfortolkninger fra Langgaards h\u00e5nd.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">I udstillingen \u2019Intet guld forbliver\u2019 er gulvkluden bearbejdet som et skulpturelt objekt. De er ikke lagt sammen i stakke klar til at blive lagt p\u00e5 plads. De er brugte, henkastede, efterladte, man kan n\u00e6rmest lugte blandingen af s\u00e6be og skidt, der har ligget hensl\u00e6ngt i et hj\u00f8rne l\u00e6nge nok til at f\u00e5 en svag jordsl\u00e5et lugt. Langgaard bev\u00e6ger sig ind i gulvkludens folder, og unders\u00f8ger, med skulpturelt nysgerrige \u00f8jne, en af hverdagens opgaver \u2013 reng\u00f8ring - som er uafsluttet og glemt. Gulvkludene bliver et slags skulpturelt statement over dagligdagens brugsspors \u00e6stetiske og poetiske potentiale.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Det er en tilbagevendende metode i arbejdet med v\u00e6rkerne. D\u00e9t at genskabe noget velkendt i andre materialer. I udstillingen \u2019Intet guld forbliver\u2019 transformeres gulvkludene til noget skr\u00f8beligt gennem leret og til noget oph\u00f8jet gennem afst\u00f8bningerne i aluminium og bronze. Gennem fastfrysningen i tid taler gulvkludene med og mod udstillingens titel; et fors\u00f8g p\u00e5 at fastholde et flygtigt \u00f8jeblik, med bevidstheden om det umulige i at g\u00f8re det.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Til udstillingen \u2019Intet guld forbliver\u2019 har Langgaard inviteret kunstner og kurator Agnete Bertram til at tage del i processen op til udstillingen. Dette samarbejde ses blandt andet igennem Bertrams iscenes\u00e6ttelse af Langgaards tidligere v\u00e6rker p\u00e5 plakatfrisen i velkomsthallen og ved Bertrams kunstneriske bidrag p\u00e5 billboardet, der h\u00e6nger udenfor.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Solen g\u00e5r ned hver aften og alligevel giver den seance noget helt s\u00e6rligt og magisk hver gang. I f\u00f8rste samtale mellem kurator Agnete Bertram og kunstner Anne Langgaard n\u00e6vnte Langgaard id\u00e9en om at arbejde med solnedgangen som hovedtema i hendes udstilling. Den id\u00e9 greb Bertram og skabte et visuelt CV over flere af Langgaards tidligere v\u00e6rker som en introduktion til det kunstneriske univers, der m\u00f8der beskueren i udstillingslokalet.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">En opgraderet krusedulle er, hvad Agnete Bertram har taget udgangspunkt i med hendes bidrag til udstillingens billboard. Bertram har indsamlet tuschtegninger fra blokke i kunstartikelbutikker gennem en periode. Med disse tegninger og streger har hun skabt en digitalcollage, der ligger et sted mellem b\u00f8rnetegninger og graffitiens tags. Med v\u00e6rket \u00f8nsker Bertram at bidrage til udstillingens grundstemning af noget legende og hverdagens upr\u00e6tenti\u00f8se tilgang til livet, samt at g\u00e5 i dialog med det omkringliggende visuelle landskab.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Tekst: Agnete Bertram<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><br \/><span style=\\\"font-size: 16px;\\\">Anne Langgaard har studeret BA Fine Art (Hons) ved Chelsea College of Art and Design i London (2011-13) og bor og arbejder i K\u00f8benhavn. Hun er engageret i at f\u00e5 kunst ud i andre kontekster end den traditionelle \u201chvide cube\u201d og har arbejdet med dette, samt for mere diversitet p\u00e5 kunstscenen, gennem kuratorduoen Walther&amp;Langgaard (2016-2019) med billedkunstner Anna Walther. Hun har siden januar 2020 v\u00e6ret en del af Udstillingsstedet Sydhavn Station, hvis beliggenhed g\u00f8r, at der er en stor mangfoldighed blandt de bes\u00f8gende. Som billedkunstner er hun optaget af hverdagens magiske potentiale, og hun har l\u00f8bende udstillinger i Danmark og udlandet.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><br \/><span style=\\\"font-size: 16px;\\\">Agnete Bertram er uddannet i 2008 ved Det Kgl. Danske Kunstakademi og i 2018 ved Politikens Kunstkritikker Skole. Hun har arbejdet med at l\u00f8fte opgaver p\u00e5 kunstscenen, heriblandt har hun v\u00e6ret forperson for billedkunst- og v\u00e6rkstedsr\u00e5det p\u00e5 Statens V\u00e6rksteder for Kunst i 2020-2022, leder af Ringsted Galleriet i 2015-2017, samt kurator p\u00e5 Minuit Vernissage i 2017-2019. Som billedkunstner har hun udstillet i ind- og udland, indg\u00e5r i Statens Kunstfonds samling og har modtaget flere h\u00e6derslegater.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><br \/><span style=\\\"font-size: 16px;\\\">Udstillingen er st\u00f8ttet af K\u00f8benhavns Kommunes R\u00e5d for Visuel Kunst, 15. Juni Fonden, Kongens Enghave Lokaludvalg, Overretssagf\u00f8rer L. Zeuthens mindelegat. Plakaterne og billboard er st\u00f8ttet af Ny Carlsberg Fondet.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Kontakt vedr. udstillingen: Anne Langgaard, tlf. 60672051, sydhavnstation@gmail.com eller annelanggaard1@gmail.com<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\">\u00a0<\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">English:<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Nothing Gold can Stay<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">9th of September - 9th of October 2022<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Solo exhibition by Anne Langgaard<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Posters and billboard by Agnete Bertram<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Opening the 9th of September at 16-21<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Udstillingsstedet Sydhavn Station, Ernst Kapers vej 1, 2450 Copenhagen SV<\/span><br \/><span style=\\\"font-size: 16px;\\\">Opening hours: Thursday-Sunday 13-17<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">If you take everyday life under a magnifying glass and examine the small daily aesthetic gifts and add great diligence, love and humour, you end up in the middle of Anne Langgaard's artistic practice. It is the repetition, the small aids in daily routines and the big questions that flow together in a stream of reinterpretations from Langgaard's hand.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">In the exhibition 'Nothing Gold can Stay', the floor cloth is processed as a sculptural object. They are not stacked together ready to be put into place. They are used, thrown away, abandoned, you can almost smell the mixture of soap and dirt that has lain in a corner long enough to get a faint earthy smell. Langgaard examines the folds of the floor cloth and processes with sculpturally curious eyes one of the everyday tasks - cleaning - that is left unfinished and forgotten. The floor cloths become a sculptural statement about the aesthetic and poetic potential of everyday life.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">It is a recurring method in Anne Langgaard\u2019s work. That of recreating something familiar in other materials. In the exhibition 'Nothing Gold can Stay', the floor cloths are transformed into something fragile through the clay and into something exalted through the castings in aluminium and bronze. Frozen in time, the floor cloths speak with and against the exhibition's title; an attempt to capture a fleeting moment, with the awareness of the impossibility of doing so.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">For the exhibition 'Nothing Gold can Stay' Langgaard has invited artist and curator Agnete Bertram to take part in the process leading up to the exhibition. This collaboration can be seen, among other things, through Bertram's staging of Langgaard's earlier works on the poster frieze in the welcome hall and by Bertram's artistic contribution on the billboard that hangs outside.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">The sun sets every evening and yet the session gives something very special and magical every time. In the first conversation between curator Agnete Bertram and artist Anne Langgaard, Langgaard mentioned the idea of \u200b\u200bworking with the sunset as the main theme of her exhibition. Bertram grabbed that idea and created a visual CV of several of Langgaard's previous works as an introduction to the artistic universe that meets the viewer in the exhibition room.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">An upgraded doodle is what Agnete Bertram has taken as a starting point with her contribution to the exhibition's billboard. Bertram has been collecting ink drawings from blocks in art supply stores over a period of time. With these drawings and lines, she has created a digital collage that lies somewhere between children's drawings and graffiti tags. With the work, Bertram wants to contribute to the exhibition's basic mood of something playful and everyday unpretentious approach to life, as well as enter into a dialogue with the surrounding visual landscape.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Text: Agnete Bertram<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Anne Langgaard studied BA Fine Art (Hons) at Chelsea College of Art and Design in London (2011-13) and lives and works in Copenhagen. She is committed to getting art out into contexts other than the traditional \\\"white cube\\\" and has worked with this, as well as for more diversity on the art scene, through the curatorial duo Walther&amp;Langgaard (2016-2019) with visual artist Anna Walther. She has been part of Udstillingsstedet Sydhavn Station since January 2020, whose location facilitates great plurality among the visitors. As a visual artist, she is examining the magical potential of everyday life, and she has done exhibitions both in Denmark and abroad.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Agnete Bertram was educated in 2008 at the Royal Danish Academy of Arts and in 2018 at Politiken's School of Art Critics. Among many things on the artscene, she has been chairperson for the Arts and Crafts Council under \u201cStatens V\u00e6rksteder for Kunst\u201d in 2020-2022, manager of Ringsted Gallery in 2015-2017, and curator at Minuit Vernissage in 2017-2019. As a visual artist, she has exhibited both home and abroad, is part of the collection of the Danish Arts Foundation and has received several honorary grants.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">The exhibition is supported by K\u00f8benhavns Kommunes R\u00e5d for Visuel Kunst, 15. Juni Fonden, Kongens Enghave Lokaludvalg, Overretssagf\u00f8rer L. Zeuthens mindelegat.. The posters and billboard are supported by Ny Carlsberg Foundation.<\/span><\/div><div class=\\\"l7ghb35v kjdc1dyq kmwttqpk gh25dzvf jikcssrz\\\"><span style=\\\"font-size: 16px;\\\">Contact regarding the exhibition: Anne Langgaard, phone 60672051, sydhavnstation@gmail.com or annelanggaard1@gmail.com<\/span><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2775"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2775\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2777"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}