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NeuePixelGrotesk_Regular;\\\">23. august, kl. 17:00 \u2014 21:00<\/span>: Gallery Night<br \/><\/span><\/span><\/span><span style=\\\"letter-spacing: 0em; text-indent: 0em; background-color: #ffffff;\\\">med performancen NINE (9) af Lola and Yukao Meet (DK\/FR)<span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"> kl. 19:00<\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\"><span style=\\\"text-decoration: underline;\\\">Lyttebiograf<\/span><br \/>Torsdag den <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">29. august kl. 17:00 \u2014 21:00<\/span> med radiomontagen, <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">John\u2019s D\u00f8d<\/span>, tilrettelagt af Rosa Marie Frang og monteret af Kim G. Hansen, redakt\u00f8r p\u00e5 <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Radio24syv.<\/span> <br \/><br \/>Efter lytningen <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Q&amp;A<\/span> med kaffe &amp; kage.<\/span><br \/><br \/><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">\u00c5bningstider<\/span><\/span><br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">torsdag \u2014 s\u00f8ndag, kl. 13:00 \u2014 17:00<\/span><br \/><\/span><span style=\\\"font-size: 16px;\\\">Udstillingen 'Millions Now Living Will Never Die' af Ferdinand Ahm Krag i plakatholderne kan ses d\u00f8gnet rundt<\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Find vej<\/span><\/span><br \/><\/span>S-tog linje A og E eller Bus 3A og 10 lige til d\u00f8ren eller 5 min. cykeltur fra Enghave Plads.\u00a0<br \/><br \/><\/span><span style=\\\"text-decoration: underline;\\\">St\u00f8tte<\/span><br \/><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-weight: 400; font-size: 16px;\\\">K\u00f8benhavns Kommune, Statens Kunstr\u00e5d, Radio24syv og Copenhagen Art Week<\/span><\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a><br \/><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">For mere information omkring udstillingen, kontakt venligst Heidi Hove p\u00e5 <a href=\\\"mailto:heidihovepedersen@gmail.com\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">heidihovepedersen@gmail.com<\/a>\u00a0eller ring 30428727<\/span><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div style=\\\"line-height: 1;\\\"><div id=\\\"post-body-3643907935043130642\\\" class=\\\"post-body entry-content\\\" style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"Standard\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"FreeForm\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"p1\\\" style=\\\"line-height: 1;\\\"><div style=\\\"line-height: 1;\\\"><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><i>Death is still forever, but extinction may not be. A dead body can't be reanimated once it begins to rot, but the essence of a species -- its genome -- survives rot for centuries, even thousands of years. That DNA knows how to make living animals, once we figure out how to invite it to do so. At the leading edges of synthetic biology the invitation is now being crafted. For some extinct species, regenesis is becoming plausible. - Stewart Brand - Huffington Post '<\/i><\/span><\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><i>\u00a0<\/i><\/span><\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><i>Humanity sacrifices itself as a whole species to an unknown experimental fate - unknown befores this, in any case, to other species, who have never known any fate but a natural one' - Jean Baudrillard 'The Final Solution'<\/i><\/span><\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><i>\u00a0<\/i><\/span><\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><i>'Is a species that succeeds in synthesizing its own immortality, and that seeks to transform itself into pure information, still particularly a human species?' - Jean Baudrillard 'The Final Solution'<\/i><\/span><\/div><div style=\\\"line-height: 1;\\\">\u00a0<\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Vandreduen blev erkl\u00e6ret udd\u00f8d omkring \u00e5r 1900. Det siges at fuglen optr\u00e5dte i gigantiske flokke p\u00e5 flere milliarder individer, der kunne form\u00f8rke himlen en hel dag. Fuglen forsvandt \u00a0som f\u00f8lge af et pludseligt og totalt populations-kollaps. Man mener at rovdrift p\u00e5 fuglen skulle have \u00f8delagt artens interne sociale strukturer, som var baseret p\u00e5 store flokke. Vandreduen er den f\u00f8rste udd\u00f8de dyreart man arbejder p\u00e5 at genoplive og bringe tilbage til \u00f8kosystemet efter den har v\u00e6ret v\u00e6k i over hundrede \u00e5r. Man vil 'genoplive' duen ved at bruge den samme teknologi som man brugte til at klone f\u00e5ret 'Dolly'. Dette tiltag for at bringe udd\u00f8de dyrearter tilbage g\u00e5r under navnet 'de-extinction':\u00a0<i>\\\"De-extinction\\\" is the new word signaling a new capability at the intersection of molecular biology and conservation biology. For several years scientists have had the ability to reconstitute the genomes of many extinct species from their DNA in well preserved museum specimens and some fossils (Stewart Brand)<\/i>. En foruds\u00e6tning for at kunne genoplive en art er, at man har et rimelig velbevaret DNA fra arten. DNA nedbrydes over tid og desto \u00e6ldre det er, desto vanskeligere bliver det at rekonstruere. DNA \u00e6ldre end ethundredetusind \u00e5r er med den nuv\u00e6rende teknologi ubrugeligt.<br \/><br \/><\/span><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">se mere her:<\/span><\/div><div style=\\\"line-height: 1;\\\">\u00a0<\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/longnow.org\/revive\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">http:\/\/longnow.org\/revive\/<\/a><\/span><\/span><\/div><div style=\\\"line-height: 1;\\\">\u00a0<\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/www.huffingtonpost.com\/stewart-brand\/de-extinction-conservation-_b_2948007.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">http:\/\/www.huffingtonpost.com\/<wbr \/>stewart-brand\/de-extinction-<wbr \/>conservation-_b_2948007.html<\/a><\/span><\/span><\/div><div style=\\\"line-height: 1;\\\">\u00a0<\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/www.stanford.edu\/group\/anthropocene\/cgi-bin\/wordpress\/the-dawn-of-de-extinction\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">http:\/\/www.stanford.edu\/group\/<wbr \/>anthropocene\/cgi-bin\/<wbr \/>wordpress\/the-dawn-of-de-<wbr \/>extinction\/<\/a><\/span><\/span><\/div><div style=\\\"line-height: 1;\\\">\u00a0<\/div><div style=\\\"line-height: 1;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/www.ted.com\/talks\/stewart_brand_the_dawn_of_de_extinction_are_you_ready.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">http:\/\/www.ted.com\/talks\/<wbr \/>stewart_brand_the_dawn_of_de_<wbr \/>extinction_are_you_ready.html<\/a><\/span><\/span><\/div><\/div><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\"><br \/>_____<br \/><br \/>D\u00f8den II er anden og sidste udstilling i r\u00e6kken. F\u00f8rste del blev vist i forbindelse med Koh-i-noor\u2019s deltagelse p\u00e5 24 Spaces p\u00e5 Malm\u00f6 Konsthall fra 3. Maj \u2013 18. August, 2013.<\/span><br \/><br \/>\u201dI am not afraid of death, I just don't want to be there when it happens.\u201d \u2013 Woody Allen.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">D\u00f8den er et allestedsn\u00e6rv\u00e6rende f\u00e6nomen. Vi skal alle d\u00f8. Alligevel er der f\u00e5 ting, der v\u00e6kker st\u00f8rre afsky i os end at se en d\u00f8d krop, i alt fald hvis vi betragter de bestr\u00e6belser vi g\u00f8r for at holde d\u00f8den og alt hvad der minder derom ude af syne i dagligdagen. Men det vil f\u00f8r eller senere ske for os alle. At maskineriet siger stop eller der sker en pludselig str\u00f8mafbrydelse.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">Vi ved, at det er s\u00e5dan, men vi vil helst ikke se det i hverdagen. Det bliver gemt v\u00e6k. Det er en slags kollektiv fortr\u00e6ngning. D\u00f8den i sig selv er dog meget n\u00e6rv\u00e6rende i samfundet; for hvor mange d\u00f8de n\u00e6vnes der ikke dagligt p\u00e5 film og i nyheder? Den d\u00f8d virker imidlertid ikke s\u00e5 foruroligende. Det kan vi h\u00e5ndtere. Men virkeligheden synes at v\u00e6re en anden d\u00f8d, som vi s\u00f8ger at skjule med alle midler, men hvorfor? \u201dLigesom k\u00e6rligheden, ligesom d\u00f8den, har sandheden behov for at sl\u00f8res af l\u00f8gn.\u201d - Claude Aveline.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">P\u00e5 forskellig vis tager de ovenn\u00e6vnte kunstnere en n\u00e6rmere betragtning p\u00e5 d\u00f8den og ikke mindst livet, ja vel n\u00e6rmest rejsen og vor (sam-)eksistens i hverdagen, som un\u00e6gtelig h\u00e6nger sammen dermed, og Sydhavn Station synes at v\u00e6re det ideelle sted at bringe s\u00e5dan et begreb p\u00e5 bane \u2013 i et livligt hverdagsrum.<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n  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