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Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2597,\r\n          \"cont\": \"..\/..\/_assets\/4.Claus-Larsen-Schalter-MDF-motorere-og-0d56a2a82134.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/4.Claus-Larsen-Schalter-MDF-motorere-og-0d56a2a82134.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/4.Claus-Larsen-Schalter-MDF-motorere-og-e8dc24993c5d.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/4.Claus-Larsen-Schalter-MDF-motorere-og-30c2aa75d3c8.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Claus Larsen: Schalter<br \/>MDF, motorere og kontakter, 20 x 20 x 10 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2578,\r\n          \"cont\": \"..\/..\/_assets\/5.Heidi-Hove-Rebus-Rebus-sengebord-40-x-a931b96c7a7f.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/5.Heidi-Hove-Rebus-Rebus-sengebord-40-x-a931b96c7a7f.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/5.Heidi-Hove-Rebus-Rebus-sengebord-40-x-8f96671c8fd0.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/5.Heidi-Hove-Rebus-Rebus-sengebord-40-x-f5b05fae14cb.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Heidi Hove, Rebus, Rebus sengebord, 40 x 63 x 38 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2579,\r\n          \"cont\": \"..\/..\/_assets\/6.Heidi-Hove-Rebus-Rebus-sengebord-40-x-5a5e1b68697f.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/6.Heidi-Hove-Rebus-Rebus-sengebord-40-x-5a5e1b68697f.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/6.Heidi-Hove-Rebus-Rebus-sengebord-40-x-c0717aad7fe2.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/6.Heidi-Hove-Rebus-Rebus-sengebord-40-x-e82a9157286d.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Heidi Hove, Rebus, Rebus sengebord, 40 x 63 x 38 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2580,\r\n          \"cont\": \"..\/..\/_assets\/7.Mette-Juul-Niewoehner-Funeral-Home-lys-fc06753a2b5f.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/7.Mette-Juul-Niewoehner-Funeral-Home-lys-fc06753a2b5f.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/7.Mette-Juul-Niewoehner-Funeral-Home-lys-c2ce7880a4a8.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/7.Mette-Juul-Niewoehner-Funeral-Home-lys-dab275191b09.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Mette Juul, Niewoehner Funeral Home, lyskasse, 150 x 100 x 15 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2581,\r\n          \"cont\": \"..\/..\/_assets\/8.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-f2ae7720ba56.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/8.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-f2ae7720ba56.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/8.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-077c5331dde8.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/8.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-65ad19dfe843.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Rosa Marie Frang, John\u2019s D\u00f8d, lyd, 55 min, 2012. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2582,\r\n          \"cont\": \"..\/..\/_assets\/9.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-ecba0d8dc1b1.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/9.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-ecba0d8dc1b1.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/9.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-fa673d07330d.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/9.Rosa-Marie-Frang-John-E2-80-99s-D-C3-B-69b07f031d8a.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Tine Becker, Gemmer I og Gemmer II, olie og akryl p\u00e5 l\u00e6rred, 2 stk \u00e1 30 x 40 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2583,\r\n          \"cont\": \"..\/..\/_assets\/10.Tine-Becker-Gemmer-I-og-Gemmer-II-oli-795aeb3e0114.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/10.Tine-Becker-Gemmer-I-og-Gemmer-II-oli-795aeb3e0114.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/10.Tine-Becker-Gemmer-I-og-Gemmer-II-oli-b2feac13ed86.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/10.Tine-Becker-Gemmer-I-og-Gemmer-II-oli-e5c0f5ec5874.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Tine Becker, Gemmer I og Gemmer II, olie og akryl p\u00e5 l\u00e6rred, 2 stk \u00e1 30 x 40 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2584,\r\n          \"cont\": \"..\/..\/_assets\/11.Tine-Becker-Erindringstegning-I-blyan-16a78bfd9609.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/11.Tine-Becker-Erindringstegning-I-blyan-16a78bfd9609.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/11.Tine-Becker-Erindringstegning-I-blyan-cfec535bfc94.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/11.Tine-Becker-Erindringstegning-I-blyan-1b62dd2ebab5.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Tine Becker, Erindringstegning I, blyant p\u00e5 papir, 78 x 82 cm, 2013. Foto af Heidi Hove\u00a0<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2585,\r\n          \"cont\": \"..\/..\/_assets\/12.Thomas-Gunnar-Bagge-Ingenmandsland-DV-bbe9080dfe00.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/12.Thomas-Gunnar-Bagge-Ingenmandsland-DV-bbe9080dfe00.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/12.Thomas-Gunnar-Bagge-Ingenmandsland-DV-08f19543b3a9.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/12.Thomas-Gunnar-Bagge-Ingenmandsland-DV-9894ee2e0758.jpg\"\r\n          },\r\n          \"ar\": 0.65,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Thomas Gunnar Bagge, Ingenmandsland, DV video, 1 min 49 sek, 2002 (t.v.). Foto af Heidi Hove\u00a0<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2586,\r\n          \"cont\": \"..\/..\/_assets\/13.Thomas-Gunnar-Bagge-Haren-HDV-video-2-805795065add.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/13.Thomas-Gunnar-Bagge-Haren-HDV-video-2-805795065add.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/13.Thomas-Gunnar-Bagge-Haren-HDV-video-2-25f7a8a05f1a.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/13.Thomas-Gunnar-Bagge-Haren-HDV-video-2-4d07ec88c30b.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Thomas Gunnar Bagge, Haren, HDV video, 2 min 50 sek, 2013. Foto af Heidi Hove\u00a0<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2587,\r\n          \"cont\": \"..\/..\/_assets\/14.Ferdinand-Ahm-Krag-Millions-now-livin-6cacf5a61bfe.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/14.Ferdinand-Ahm-Krag-Millions-now-livin-6cacf5a61bfe.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/14.Ferdinand-Ahm-Krag-Millions-now-livin-440736b31598.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/14.Ferdinand-Ahm-Krag-Millions-now-livin-4973f7236470.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Ferdinand Ahm Krag, Millions now living will never die, 15 plakater \u00e1 80 x 120 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2588,\r\n          \"cont\": \"..\/..\/_assets\/15.Ferdinand-Ahm-Krag-Millions-now-livin-81411826e2ac.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/15.Ferdinand-Ahm-Krag-Millions-now-livin-81411826e2ac.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/15.Ferdinand-Ahm-Krag-Millions-now-livin-2e721e162e14.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/15.Ferdinand-Ahm-Krag-Millions-now-livin-81b31fc88d5d.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Ferdinand Ahm Krag, Millions now living will never die, 15 plakater \u00e1 80 x 120 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2589,\r\n          \"cont\": \"..\/..\/_assets\/16.Ferdinand-Ahm-Krag-Millions-now-livin-3cb0459122ad.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/16.Ferdinand-Ahm-Krag-Millions-now-livin-3cb0459122ad.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/16.Ferdinand-Ahm-Krag-Millions-now-livin-8be3a187fa37.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/16.Ferdinand-Ahm-Krag-Millions-now-livin-f66df6da667a.jpg\"\r\n          },\r\n          \"ar\": 0.67,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Ferdinand Ahm Krag, Millions now living will never die, 15 plakater \u00e1 80 x 120 cm, 2013. Foto af Heidi Hove<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2591,\r\n          \"cont\": \"..\/..\/_assets\/18.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-a34459ace1ea.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/18.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-a34459ace1ea.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/18.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-338955ac1bc3.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/18.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-3937f1e0bbff.jpg\"\r\n          },\r\n          \"ar\": 0.665,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Jens Axel Beck, Areal, Felt, Omr\u00e5de, Sektor, Sted, Territorium, Zone, sten og afsp\u00e6rring, 2013.\u00a0<\/span><br \/><span style=\\\"font-size: 12px;\\\">Foto af Jens Axel Beck\u00a0<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2590,\r\n          \"cont\": \"..\/..\/_assets\/17.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-87d186c6af1a.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/17.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-87d186c6af1a.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/17.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-e588fe6cdcb0.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/17.Jens-Axel-Beck-Areal-Felt-Omra-CC-8Ad-72011685ea84.jpg\"\r\n          },\r\n          \"ar\": 0.665,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Jens Axel Beck, Areal, Felt, Omr\u00e5de, Sektor, Sted, Territorium, Zone, sten og afsp\u00e6rring, 2013.\u00a0<\/span><br \/><span style=\\\"font-size: 12px;\\\">Foto af Jens Axel Beck\u00a0<\/span><\/p>\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Periode<br \/><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">17 aug \u2014 01 sep 2013<\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Fernisering<\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><br \/>Fredag d. 16 aug, 17:00 \u2014 21:00<br \/><br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Performance<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Fredag den <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">23. august, kl. 17:00 \u2014 21:00<\/span>: Gallery Night<br \/><\/span><\/span><\/span><span style=\\\"letter-spacing: 0em; text-indent: 0em; background-color: #ffffff;\\\">med performancen NINE (9) af Lola and Yukao Meet (DK\/FR)<span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"> kl. 19:00<\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\"><span style=\\\"text-decoration: underline;\\\">Lyttebiograf<\/span><br \/>Torsdag den <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">29. august kl. 17:00 \u2014 21:00<\/span> med radiomontagen, <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">John\u2019s D\u00f8d<\/span>, tilrettelagt af Rosa Marie Frang og monteret af Kim G. Hansen, redakt\u00f8r p\u00e5 <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Radio24syv.<\/span> <br \/><br \/>Efter lytningen <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Q&amp;A<\/span> med kaffe &amp; kage.<\/span><br \/><br \/><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">\u00c5bningstider<\/span><\/span><br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">torsdag \u2014 s\u00f8ndag, kl. 13:00 \u2014 17:00<\/span><br \/><\/span><span style=\\\"font-size: 16px;\\\">Udstillingen i plakatholderne kan ses d\u00f8gnet rundt<\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Find vej<\/span><\/span><br \/><\/span>S-tog linje A og E eller Bus 3A og 10 lige til d\u00f8ren eller 5 min. cykeltur fra Enghave Plads.\u00a0<br \/><br \/><\/span><span style=\\\"text-decoration: underline;\\\">St\u00f8tte<\/span><br \/><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-weight: 400; font-size: 16px;\\\">K\u00f8benhavns Kommune, Statens Kunstr\u00e5d, Radio24syv og Copenhagen Art Week<\/span><\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a><br \/><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">For mere information omkring udstillingen, kontakt venligst Heidi Hove p\u00e5 <a href=\\\"mailto:heidihovepedersen@gmail.com\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">heidihovepedersen@gmail.com<\/a>\u00a0eller ring 30428727<\/span><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div style=\\\"line-height: 1;\\\"><div id=\\\"post-body-3643907935043130642\\\" class=\\\"post-body entry-content\\\" style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"Standard\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"FreeForm\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"p1\\\" style=\\\"line-height: 1;\\\"><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">D\u00f8den II er anden og sidste udstilling i r\u00e6kken. F\u00f8rste del blev vist i forbindelse med Koh-i-noor\u2019s deltagelse p\u00e5 24 Spaces p\u00e5 Malm\u00f6 Konsthall fra 3. Maj \u2013 18. August, 2013.<\/span><br \/><br \/>\u201dI am not afraid of death, I just don't want to be there when it happens.\u201d \u2013 Woody Allen.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">D\u00f8den er et allestedsn\u00e6rv\u00e6rende f\u00e6nomen. Vi skal alle d\u00f8. Alligevel er der f\u00e5 ting, der v\u00e6kker st\u00f8rre afsky i os end at se en d\u00f8d krop, i alt fald hvis vi betragter de bestr\u00e6belser vi g\u00f8r for at holde d\u00f8den og alt hvad der minder derom ude af syne i dagligdagen. Men det vil f\u00f8r eller senere ske for os alle. At maskineriet siger stop eller der sker en pludselig str\u00f8mafbrydelse.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">Vi ved, at det er s\u00e5dan, men vi vil helst ikke se det i hverdagen. Det bliver gemt v\u00e6k. Det er en slags kollektiv fortr\u00e6ngning. D\u00f8den i sig selv er dog meget n\u00e6rv\u00e6rende i samfundet; for hvor mange d\u00f8de n\u00e6vnes der ikke dagligt p\u00e5 film og i nyheder? Den d\u00f8d virker imidlertid ikke s\u00e5 foruroligende. Det kan vi h\u00e5ndtere. Men virkeligheden synes at v\u00e6re en anden d\u00f8d, som vi s\u00f8ger at skjule med alle midler, men hvorfor? \u201dLigesom k\u00e6rligheden, ligesom d\u00f8den, har sandheden behov for at sl\u00f8res af l\u00f8gn.\u201d - Claude Aveline.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">P\u00e5 forskellig vis tager de ovenn\u00e6vnte kunstnere en n\u00e6rmere betragtning p\u00e5 d\u00f8den og ikke mindst livet, ja vel n\u00e6rmest rejsen og vor (sam-)eksistens i hverdagen, som un\u00e6gtelig h\u00e6nger sammen dermed, og Sydhavn Station synes at v\u00e6re det ideelle sted at bringe s\u00e5dan et begreb p\u00e5 bane \u2013 i et livligt hverdagsrum.<\/span><br \/><br \/><div><span style=\\\"font-size: 16px;\\\">\/\/<br \/><br \/>The Death II is the second and final show in the series. The first part was shown during Koh-i-noor's participation at 24 Spaces at Malm\u00f6 Konsthall from May 3 \u2013 August 18, 2013.<br \/><br \/>\u201dI am not afraid of death, I just don't want to be there when it happens.\u201d \u2013 Woody Allen.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">Death is our final destination and we are all going to die one way or another. Nevertheless, there are few things that evoke greater distress than seeing a corpse. Consider the elaborate effort we make to keep death and the reminder of death out of sight in everyday life even though it will sooner or later happen to us all. That the machinery stops or there is a sudden power outage still frightens.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">We know what will happen, but we avert our eyes in everyday life and tuck away our anxieties in a collective denial. Death in itself is ever present in our culture though. Victims are shown daily on the news, TV and film. Perhaps this is because the representation of death does not seem as disturbing and becomes something we can then tolerate. But reality itself seems to confront us with a version of death, which we try to hide by imaginative means, but why? According crime novelist Claude Aveline \\\"Like love, like death, the truth needs to be obscured by a lie.\u201d<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">The Death II\u2019s artists take a close look at mortality, The Destination and how it affects decisions in life what might be called The Journey to which it is inextricably linked. Sydhavn Station is an ideal place to examine the topic--a bustling train station full of departures and arrivals.<br \/><br \/><br \/><\/span><\/div><div>\u00a0<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 96,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><strong>Lyttebiograf<br \/><\/strong><\/span><span style=\\\"font-size: 16px;\\\">Radiomontagen 'John's D\u00f8d'<\/span><span style=\\\"font-size: 16px;\\\">\u00a0tilrettelagt af kunstneren Rosa Marie Frang og monteret af Kim G. Hansen, redakt\u00f8r p\u00e5 Radio24syv Dokumentar.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">P\u00e5 Udstillingsstedet Sydhavn Station vil Rosa Marie Frang nu pr\u00e6sentere montagen, som hun har produceret i samarbejde med Radio24syv Dokumentar i 2012. <\/span><span style=\\\"font-size: 16px;\\\">Efter f\u00e6lles lytningen (varighed: 55 min) fort\u00e6ller Rosa og Kim lidt om deres overvejelser og processen bag tilblivelsen, og det vil v\u00e6re muligt at stille sp\u00f8rgsm\u00e5l.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Hovedpersonen i montagen \u201cJohns D\u00f8d\u201d hedder John Goodwin. Som 42-\u00e5rig og midt i livet med hus, kone og 2 sm\u00e5 b\u00f8rn, g\u00e5r han til l\u00e6gen med en mindre skavank. Her f\u00e5r han af vide, at han kun har \u00e9t \u00e5r tilbage at leve i... <\/span><span style=\\\"font-size: 16px;\\\">Med gavmild \u00e5benhjertighed fort\u00e6ller John, kort tid inden hans d\u00f8d, om de overvejelser han har gjort sig omkring sin egen kommende ikke-eksistens, angsten for d\u00f8den, omgivelsernes reaktioner, sorgen, n\u00e6rheden og ensomheden.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Det er et portr\u00e6t, som handler om det tabu, som vi alle f\u00f8r eller siden m\u00e5 forholde os til - d\u00f8den. <\/span><span style=\\\"font-size: 16px;\\\">Kan man forst\u00e5 sin egen forest\u00e5ende d\u00f8d? Hvordan tager man afsked med de n\u00e6rmeste? Som han selv siger \u201d...jeg forholder mig nysgerrigt afventende\u201d. \u00ad I montagen m\u00f8der vi ogs\u00e5 hans kone, Karen som fort\u00e6ller om hans afsked med b\u00f8rnene og hans sidste \u00e5ndedr\u00e6t i hendes favntag.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Rosa Marie Frang og John Goodwin har v\u00e6ret bekendte siden teenage\u00e5rene. Nu stiller hun de mange sv\u00e6re sp\u00f8rgsm\u00e5l, og John svarer s\u00e5 \u00e6rligt, som han kan, for dette er ogs\u00e5 hans sidste ord og et mindesm\u00e6rke han kan efterlade sig. <\/span><span style=\\\"font-size: 16px;\\\">D\u00f8den vedr\u00f8rer os alle, og at lytte i f\u00e6llesskab er radikalt anderledes end at lytte alene. Sammen vil vi begive os ind i et rum, som konfronterer os med det, som de fleste bruger det meste af deres liv p\u00e5 at fortr\u00e6nge; at vi alle skal d\u00f8 en dag.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">D\u00f8ren lukkes pr\u00e6cis kl. 17.15. Der vil blive serveret kaffe og kage til arrangementet. Alle er velkomne.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Eventen er del af gruppeudstillingen, D\u00f8den II med deltagelse af f\u00f8lgende kunstnere: Ferdinand Ahm Krag, Mette Juul, Thomas Gunnar Bagge, Tine Becker, Rosa Marie Frang, Claus Larsen, Jens Axel Beck og Heidi Hove. Udstillingen kan ses frem til den 1. september 2013.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">For mere information, kontakt venligst:<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Rosa Marie Frang, Tlf. 60756516, rosamariefrang@gmail.com<\/span><br \/><span style=\\\"font-size: 16px;\\\">Kim G. Hansen, Tlf. 41747931, kimh@radio24syv.dk<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Heidi Hove (kurator p\u00e5\u00a0udstillingen), Tlf.\u00a030428727,\u00a0<a href=\\\"mailto:heidihovepedersen@gmail.com\\\">heidihovepedersen@gmail.com<\/a><\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">\/\/<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><strong>Listening Theatre<br \/><\/strong><\/span><span style=\\\"font-size: 16px;\\\"><strong>With the Radio Montage 'John's Death'\u00a0<\/strong><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">'John's Death' is produced by artist, Rosa Marie Frang and mounted by Kim G. Hansen, editor of Radio24syv Documentary. <\/span><span style=\\\"font-size: 16px;\\\">At Sydhavn Station Rosa Marie Frang presents the radio montage, John's Death (55 min.), that she has been producing in collaboration with Radio24syv Documentary in 2012. <\/span><span style=\\\"font-size: 16px;\\\">After a joint listening, Rosa and Kim will tell about their considerations and the process in the making of the radio piece and it will be possible to ask questions.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">The main character of the montage \\\"John's death\\\" is John Goodwin. As a 42-year-old man, in the middle of his life, with a house, wife and two young children, he goes to the doctor with a minor ailment. Here, he is being told, that he only has one year left to live in.. <\/span><span style=\\\"font-size: 16px;\\\">With generous candor John tells, shortly before his death, the concerns he has about his own non-existence. Is it possible to understand ones own imminent death? How do you say goodbye to your loved ones? As he says \\\"... I am awaiting with great curiosity\\\" <\/span><span style=\\\"font-size: 16px;\\\">A beautiful and poetic portrait about the taboo we all sooner or later will have to deal with \u2013 the death. Rosa Marie Frang and John Goodwin have been friends since their teens. Now she is asking many difficult questions, and John is answering as honestly he can, because this is also his last words and a memorial he can leave behind.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">The event will be in Danish and the door will be closed at 5.15pm precisely. There will be served coffee and cake. Everyone is welcome.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">The event is part of the group-exhibition, The Death II featuring the artists, Ferdinand Ahm Krag, Mette Juul, Thomas Gunnar Bagge, Tine Becker, Rosa Marie Frang, Claus Larsen, Jens Axel Beck and Heidi Hove. The Death II is open until September 1st, 2013.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">For more information, please contact:<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Rosa Marie Frang, cell no. 60756516,\u00a0rosamariefrang@gmail.com<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Kim G. Hansen, cell no. 41747931,\u00a0kimh@radio24syv.dk<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Heidi Hove (curator of the exhibition), cell no.\u00a030428727,\u00a0<a href=\\\"mailto:heidihovepedersen@gmail.com\\\">heidihovepedersen@gmail.com<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"..\/..\/_assets\/Rosa-Marie-Frang-Johns-D-C3-B8d-2012-lyd-3d8cc21ea2f8.jpeg\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1031,\r\n      \"attid\": 2598,\r\n      \"sizes\": {\r\n        \"full\": \"..\/..\/_assets\/Rosa-Marie-Frang-Johns-D-C3-B8d-2012-lyd-3d8cc21ea2f8.jpeg\",\r\n        \"_1024\": \"..\/..\/_assets\/Rosa-Marie-Frang-Johns-D-C3-B8d-2012-lyd-7d389c20614e.jpeg\",\r\n        \"_768\": \"..\/..\/_assets\/Rosa-Marie-Frang-Johns-D-C3-B8d-2012-lyd-79324ff93967.jpeg\",\r\n        \"_512\": \"..\/..\/_assets\/Rosa-Marie-Frang-Johns-D-C3-B8d-2012-lyd-a48c06e6a1ff.jpeg\",\r\n        \"_265\": \"..\/..\/_assets\/Rosa-Marie-Frang-Johns-D-C3-B8d-2012-lyd-8163c0e6dbc7.jpeg\"\r\n      },\r\n      \"ar\": 0.6237064910630291,\r\n      \"alt\": \"\",\r\n      \"frameOverflow\": \"right\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><strong><span style=\\\"font-size: 16px;\\\">Performance<br \/><\/span><\/strong><span style=\\\"font-size: 16px;\\\">NINE (9) af Lola and Yukao Meet p\u00e5 Copenhagen Art Week's Gallery Night den 23. august, 2013 kl. 19:00 p\u00e5 Sydhavn Station.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\">Lola and Yukao Meet (LYM) er et europ\u00e6isk kunstnerpar, der udforsker sammensmeltningen af frih\u00e5ndstegning, gennem interaktiv digital grafik, med basimprovisation og urban-og organiske lydlandskaber. <span class=\\\"text_exposed_show\\\">Ambiti\u00f8s, smuk og inspirerende, baner LYM's performance vejen for en ny tilgang til levende digital grafik, hvor grafikeren kombinerer sine fantasifulde, grafiske udtryk med instrumental musik. Lola Ajima's soundscapes bygger p\u00e5 urban-eller industriomr\u00e5ders lyde og omformer dem til n\u00e6rv\u00e6rende og intime lydlag. Hendes basloops skaber cirkulerende melodier om f\u00f8dsel, d\u00f8d, tab, frygt, \u00f8mhed og sorg. Den emovative grafik af Yukao Nagemi afspejler en verden af fantasier, dr\u00f8mme og indre visioner. De sammenfletter amorfe menneskelige figurer med m\u00e6rkelige v\u00e6sner og slyngende linjer og f\u00f8lge den r\u00f8de tr\u00e5d i musikken. Deres performance giver nye perspektiver for kombinationen af instrumental musik og levende grafik, hvor den grafiske kunstners rolle svarer til en musiker, fordi han frit kan spille og improvisere med sin musiske partner.<br \/><br \/>P\u00e5 Sydhavn Station den 23. august, kl. 19:00, vil de opf\u00f8re deres allerf\u00f8rste projekt, NINE (9) af en varighed p\u00e5 ca. 30 minutter.<br \/><br \/>NINE (9) som performance er en l\u00f8bende str\u00f8m af grafik og lyd, som en kunstnerisk genspejling af de ni m\u00e5neder, vi er p\u00e5 rejse inde i moderens mave, omgivet af mystiske vande. Den pludselige d\u00f8d af en tvilling provokerer en st\u00e6rk reaktion af vrede, sorg, og senere forl\u00f8sning. Det handler om perioden mellem liv og d\u00f8d, som stadig er et mysterium.<br \/><br \/>Performancen er del af den nuv\u00e6rende gruppe-udstilling, D\u00f8den II med kunstnerne: Mette Juul, Jens Axel Beck, Rosa Marie Frang, Tine Becker, Thomas Gunnar Bagge, Claus Larsen, Ferdinand Ahm Krag og Heidi Hove. Kurateret af Heidi Hove.<\/span><\/span><br \/><span style=\\\"font-size: 16px;\\\"><span class=\\\"text_exposed_show\\\"><br \/><\/span>For mere info:\u00a0<\/span><br \/><span style=\\\"font-size: 16px;\\\"><a href=\\\"https:\/\/www.facebook.com\/events\/150934578441397\/\\\" rel=\\\"nofollow\\\">https:\/\/www.facebook.com\/<wbr \/>events\/150934578441397\/<\/a><\/span><br \/><span style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/lolaandyukaomeet.com\/\\\" target=\\\"_blank\\\" rel=\\\"nofollow nofollow noopener\\\">http:\/\/<wbr \/>lolaandyukaomeet.com\/<\/a><\/span><br \/><span style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/copenhagenartweek.dk\/\\\" target=\\\"_blank\\\" rel=\\\"nofollow nofollow noopener\\\">http:\/\/<wbr \/>copenhagenartweek.dk\/<\/a><span class=\\\"text_exposed_show\\\"><br \/><\/span><\/span><\/p><div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">\/\/<\/span><\/div><p style=\\\"line-height: 1;\\\"><span class=\\\"text_exposed_show\\\" style=\\\"font-size: 16px;\\\"><br \/><strong>Performance<\/strong> <br \/>NINE (9) by Lola and Yukao Meet on the Gallery Night of Copenhagen Art Week on August 23, 2013 at 7 P.M. at Sydhavn Station.<br \/><br \/>Lola and Yukao Meet (LYM) is a couple of European artists, who explores the association of free hand drawing through interactive digital graphics with bass improvisation and urban and organic soundscapes.\u00a0<br \/><br \/>Ambitious, beautiful and inspirational, LYM performance opens the way to a new approach for live digital graphics where the graphic artist can combine imaginative graphical expression with instrumental music performance.\u00a0<br \/><br \/>Lola Ajima's soundscapes build on urban or industrial sounds and transform them into calm and intimate sound layers. Her bass improvisations sculpt melodies and sounds about birth, death, loss, fear, tenderness, and sadness.\u00a0<br \/><br \/>The emotive graphics of Yukao Nagemi reflect a world of fantasies, dreams, and inner visions. They combine amorphous human shapes with strange creatures and ornamental strokes and follow the line of the sound improvisation.<br \/><br \/>Their performance offers new perspectives to the combination of instrumental music and live graphics in which the graphical artist's status is similar to a musician because he can freely co-improvise with his musician partner.<br \/><br \/>On Gallery Night at Sydhavn Station August 23 at 7 P.M. they will perform their very first project, NINE (9) on duration of approx. 30 minutes.\u00a0<br \/><br \/>NINE (9) as performance is an ongoing flow of graphics and sound of the nine months we dwell inside the mothers womb surrounded by mysterious waters. The event of the death of a twinbaby carries a strong reaction of anger, sorrow, and later redemption. It is about the period between life and death that is still a mystery.<br \/><br \/>The performance is part of the current group-exhibition, The Death II featuring the artists Mette Juul, Jens Axel Beck, Rosa Marie Frang, Tine Becker, Thomas Gunnar Bagge, Claus Larsen, Ferdinand Ahm Krag and Heidi Hove. Curated by Heidi Hove.\u00a0<br \/><br \/>For more info:\u00a0<br \/><a href=\\\"https:\/\/www.facebook.com\/events\/150934578441397\/\\\" rel=\\\"nofollow\\\">https:\/\/www.facebook.com\/<wbr \/>events\/150934578441397\/<\/a><br \/><a href=\\\"http:\/\/www.facebook.com\/l.php?u=http%3A%2F%2Flolaandyukaomeet.com%2F&amp;h=iAQG5kn65&amp;s=1\\\" target=\\\"_blank\\\" rel=\\\"nofollow nofollow noopener\\\">http:\/\/<wbr \/>lolaandyukaomeet.com\/<\/a><\/span><br \/><span class=\\\"text_exposed_show\\\" style=\\\"font-size: 16px;\\\"><a href=\\\"http:\/\/copenhagenartweek.dk\/\\\" target=\\\"_blank\\\" rel=\\\"nofollow nofollow noopener\\\">http:\/\/<wbr \/>copenhagenartweek.dk\/<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"..\/..\/_assets\/LYM_flyer_1-750x450-0704deea8034.jpeg\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1032,\r\n      \"attid\": 2599,\r\n      \"sizes\": {\r\n        \"full\": \"..\/..\/_assets\/LYM_flyer_1-750x450-0704deea8034.jpeg\",\r\n        \"_512\": \"..\/..\/_assets\/LYM_flyer_1-750x450-512x307-8d640fd558c7.jpeg\",\r\n        \"_265\": \"..\/..\/_assets\/LYM_flyer_1-750x450-265x159-6dde01b4d240.jpeg\"\r\n      },\r\n      \"ar\": 0.6,\r\n      \"alt\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2550"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2550\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2592"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}