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Ring\\\", 2012<\/span><span style=\\\"font-size: 12px;\\\"> <br \/><\/span><span style=\\\"font-size: 12px;\\\">Blyant p\u00e5 papir 191 x\u00a0144 cm, 2012<\/span><\/div>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2434,\r\n          \"cont\": \"..\/..\/_assets\/julie_boserup_1-0281ead72fd5.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/julie_boserup_1-0281ead72fd5.jpeg\"\r\n          },\r\n          \"ar\": 0.95,\r\n          \"alt\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2429,\r\n          \"cont\": \"..\/..\/_assets\/12-e15146f8cfa4.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/12-e15146f8cfa4.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/12-1280x854-250980850f88.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/12-1024x683-cd999f12004c.jpeg\",\r\n            \"_768\": 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\"_512\": \"..\/..\/_assets\/16-512x341-1c8bb7681e4d.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/16-265x177-53cdc2cbc2fd.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Mette Moestrup l\u00e6ser op fra \u201dD\u00f8, l\u00f8gn, d\u00f8\u201d<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2430,\r\n          \"cont\": \"..\/..\/_assets\/13-ac54d16b3037.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/13-ac54d16b3037.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/13-1280x854-521bebecc461.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/13-1024x683-49268113296f.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/13-768x512-303a574a345a.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/13-512x341-b062ef77fbc3.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/13-265x177-9f4a6c58a267.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Amalie Smith l\u00e6ser op fra \u201dI civil\u201d<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2431,\r\n          \"cont\": \"..\/..\/_assets\/14-92cdb8b3ac64.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/14-92cdb8b3ac64.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/14-1280x854-8e8e60684d76.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/14-1024x683-6749903d4f46.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/14-768x512-6ef66989fd07.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/14-512x341-65ce35f9370c.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/14-265x177-e748d1feb744.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Olga Ravn l\u00e6ser op fra \u201dJeg \u00e6der mig selv som lyng\u201d<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2432,\r\n          \"cont\": \"..\/..\/_assets\/15-456975456b56.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/15-456975456b56.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/15-1280x854-12b55435a1c4.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/15-1024x683-f3dda2fef8f1.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/15-768x512-758dad156abf.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/15-512x341-8b2fd29d89b8.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/15-265x177-ff6359e7796a.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2428,\r\n          \"cont\": \"..\/..\/_assets\/10-d024a5d913b0.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/10-d024a5d913b0.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/10-1280x854-1a880c62ef77.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/10-1024x683-8f19cca27536.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/10-768x512-8639faa8db42.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/10-512x341-73e38dc7f211.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/10-265x177-5c86418d9140.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400; font-size: 12px;\\\">Sonja Lilleb\u00e6k Christensen:<\/span> \u201cTake me Home to the Place I belong\u201d, 2012<br \/><\/span><span style=\\\"font-weight: 400; font-size: 12px;\\\">15 screen shots, inkjet-print, 120 x 80,5cm<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2427,\r\n          \"cont\": \"..\/..\/_assets\/09-a337c54aba94.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/09-a337c54aba94.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/09-1280x854-29a7b0cdd84e.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/09-1024x683-e3650171c6eb.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/09-768x512-a0236ced4655.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/09-512x341-369b202c9ede.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/09-265x177-b9700d2c1d44.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\"><span style=\\\"font-weight: 400; font-size: 12px;\\\">Sonja Lilleb\u00e6k Christensen:<\/span> \u201cTake me Home to the Place I belong\u201d, 2012<br \/><\/span><span style=\\\"font-weight: 400; font-size: 12px;\\\">15 screen shots, inkjet-print, 120 x 80,5cm<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2426,\r\n          \"cont\": \"..\/..\/_assets\/08-3d6328b1bda8.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/08-3d6328b1bda8.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/08-1280x854-cb06e759c351.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/08-1024x683-1e54e93c92dc.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/08-768x512-f70c64a677a1.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/08-512x341-41bcc1744df3.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/08-265x177-9b5ae6642630.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<div style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Anne Skole Overgaard: Ferniseringsg\u00e6ster foran \\\"I haved\u00f8ren. Kunstnerens hustru. Karreb\u00e6ksminde. Efter L. A. Ring\\\", 2012<br \/><\/span><span style=\\\"font-size: 12px;\\\">Blyant p\u00e5 papir 191 x 144 cm<\/span><\/div>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2425,\r\n          \"cont\": \"..\/..\/_assets\/07-fa5b47523458.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/07-fa5b47523458.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/07-1280x854-46af5c95b828.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/07-1024x683-32701c0484bb.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/07-768x512-9a7d240a30b7.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/07-512x341-01b32f5199f6.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/07-265x177-f0c75e6685c8.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Ferniseringsg\u00e6ster foran v\u00e6rket \u201dLangs Stien\u2026\u201d af Elsebeth J\u00f8rgensen: <\/span><span style=\\\"font-size: 12px;\\\">Installation m. lydmontage, videoprojektion og fotomontage (70 x\u00a050 cm), 2012<br \/><\/span><span style=\\\"font-size: 12px;\\\">Baseret p\u00e5 materiale fra\u00a0<a href=\\\"http:\/\/www.langsstien.dk\/\\\">www.langsstien.dk<\/a> 2011. <\/span><span style=\\\"font-weight: 400; font-size: 12px;\\\">Lydproduceret med lyddesigner Tim Hinman og forfatter Martin Glaz Serup.<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2424,\r\n          \"cont\": \"..\/..\/_assets\/01-c5fbeefbb1ca.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/01-c5fbeefbb1ca.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/01-1280x854-dd1d6015fc87.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/01-1024x683-ffedb973ab87.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/01-768x512-e052405e6a5c.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/01-512x341-6c7f1b9c9d45.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/01-265x177-9bbe15d267f4.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Sonja Lilleb\u00e6k Christensen og Steen Thorgej Hansen, som begge er med i udstillingsstedet Sydhavn Station<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2423,\r\n          \"cont\": \"..\/..\/_assets\/02-3422e2175e2b.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/02-3422e2175e2b.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/02-1280x854-b062ba56eed2.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/02-1024x683-0b0186d8f008.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/02-768x512-a09fdd20c713.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/02-512x341-efd64031e2c8.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/02-265x177-7f13b82da4a5.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">Camilla Rasborg fra udstillingsstedet Sydhavn Station i samtale med Malene Nors Tardrup.<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2422,\r\n          \"cont\": \"..\/..\/_assets\/03-a835ed1702d0.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/03-a835ed1702d0.jpeg\",\r\n            \"_1280\": \"..\/..\/_assets\/03-1280x854-d337edd79335.jpeg\",\r\n            \"_1024\": \"..\/..\/_assets\/03-1024x683-a6f6f2c6f39c.jpeg\",\r\n            \"_768\": \"..\/..\/_assets\/03-768x512-60ca44958128.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/03-512x341-a440bb7cc42f.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/03-265x177-ec2a0f563688.jpeg\"\r\n          },\r\n          \"ar\": 0.666875,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">claus ejner og Ulla Hvejsel fra udstillingsstedet Sydhavn Station<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2436,\r\n          \"cont\": \"..\/..\/_assets\/11-09d63a7ae22b.jpeg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/11-09d63a7ae22b.jpeg\",\r\n            \"_512\": \"..\/..\/_assets\/11-512x342-ae3c56a0cd3a.jpeg\",\r\n            \"_265\": \"..\/..\/_assets\/11-265x177-cc3e90026c48.jpeg\"\r\n          },\r\n          \"ar\": 0.6671875,\r\n          \"alt\": \"\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Periode<br \/><\/span><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"font-size: 16px;\\\">18 aug \u2014 16 sep 2012<\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Fernisering<\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><br \/>Fredag d. 17 aug, kl 17 \u2014 ?<br \/><\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">\u00c5bningstider<br \/><\/span><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Torsdag \u2014 s\u00f8ndag, kl 13 \u2014 17<\/span><br \/><br \/><\/span><span style=\\\"text-decoration: underline;\\\">Opl\u00e6sning<br \/><\/span>Ved fernisering er der opl\u00e6sning kl<span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"> 20:00<\/span><br \/>med forfatterne Mette Moestrup, Amalie Smith og Olga Ravn<br \/><br \/><span style=\\\"text-decoration: underline; font-size: 16px;\\\">St\u00f8tte<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\">Opl\u00e6sningen er st\u00f8ttet af Statens Kunstr\u00e5ds Litteraturudvalg mens <br \/>udstillingen er st\u00f8ttet af K\u00f8benhavn kommunes Billedkunstudvalg\u00a0 \u00a0\u00a0<br \/><br \/><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a><br \/>For yderligere information og bes\u00f8g udenfor \u00e5bningstiden kontakt Anne Skole Overgaard p\u00e5 tlf 28760454<br \/><br \/><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div style=\\\"line-height: 1;\\\"><div id=\\\"post-body-3643907935043130642\\\" class=\\\"post-body entry-content\\\" style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"Standard\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"FreeForm\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"separator\\\" style=\\\"line-height: 1;\\\"><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><strong>Sommer<\/strong>\u00a0kredser om erindring \u2013 b\u00e5de personlig og kollektiv. Om det subjektive eller systematiske blik p\u00e5 billeder og ord fra forskellige steder og tidspunkter s\u00e5vel i nutiden som i historien.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><strong>Julie Boserups<\/strong> v\u00e6rk \u201dAKTUALIA\u201d er en form for billeddagbog hvor hun har tegnet direkte ovenp\u00e5 billeder i aviser fra sommerens l\u00f8b. N\u00e5r man splitter en avis ad og folder siderne ud, opst\u00e5r der tilf\u00e6ldige sammenst\u00f8d mellem forskellige billeder i avisen. Disse grafiske sammenfald er udgangspunktet for Julie Boserups viderebearbejdninger. V\u00e6rket placerer sig i en form for kollektiv underbevidsthed eller visuel erindring.<br \/><br \/><\/span><span style=\\\"font-size: 16px;\\\"><strong>Elsebeth J\u00f8rgensens<\/strong>\u00a0poetiske og konceptuelle montagev\u00e6rk \u201dLangs\u00a0Stien\u2026\u201d handler om at vandre i et landskabs stisystemer. Det er en installation af lyd, videoprojektion og fotomontage, hvor fort\u00e6llingen, der springer i tid og rum, kredser om det at vandre som \u00e6stetisk handling. V\u00e6rket er baseret p\u00e5 et udvalg af materiale fra indsamlinger i historiske billedarkiver blandet med fiktionsfragmenter fra bl.a. Henry David Thoreaus fort\u00e6lling \u201dOm at vandre\u201d, 1862 og Camillo Bruuns \u201dFra Vendsyssel \u2013 Rejseindtryk og Optegnelser\u201d, 1866. Arkiv- og fiktionselementerne g\u00e5r i samspil med Elsebeth J\u00f8rgensens egne registreringer og fra dialoger med forskellige folk p\u00e5 g\u00e5ture og i lokalhistoriske arkiver. Lydmontagen er produceret med lyddesigner Tim Hinman og forfatter Martin Glaz Serup.<\/span><br \/><span style=\\\"font-size: 16px;\\\"><strong><br \/><\/strong><strong>Sonja Lilleb\u00e6ks Christensens<\/strong>\u00a0v\u00e6rk \u201dTake me Home to the Place I belong\u201d er en r\u00e6kke p\u00e5 15 plakater i DSBs plakatstandere p\u00e5 stationen. Billedfrisen er en associationsr\u00e6kke\u00a0over at vende hjem, at v\u00e6re tryg, at v\u00e6re fremmed og at v\u00e6re utryg. Billederne er hentet p\u00e5 nettet for at blive brugt i en roadmovie om forestillingen om at h\u00f8re til et sted. Disse billeder blev dog til overs og kom aldrig med i filmen.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><strong>Anne Skole Overgaard<\/strong>\u00a0har med blyant kopieret L. A. Rings maleri \u201dI haved\u00f8ren. Kunstnerens hustru. Karreb\u00e6ksminde\u201d fra 1897. Ved at kopiere maleriet i dag leger hun med forestillinger om k\u00f8n og med hvordan v\u00e6rker tit fortolkes ud fra kunstnerens liv. Den diskussion har originalen ogs\u00e5 rejst, idet kunstnerens hustru ser gravid ud p\u00e5 maleriet, men deres f\u00f8rste barn blev f\u00f8dt 2 \u00e5r senere.\u00a0L. A. Ring malede ofte mennesker p\u00e5 t\u00e6rsklen mellem to rum og to tilstande.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><strong>Mette Moestrup, Amalie Smith og Olga Ravn\u00a0<\/strong>l\u00e6ser til ferniseringen op af deres nyeste b\u00f8ger. Mette Moestrups rytmiske, syngende opl\u00e6sning fra \u201dD\u00f8, l\u00f8gn, d\u00f8\u201d understreger teksternes skiftende tonefald og Amalie Smiths \u201dI civil - en samling\u201d tematiserer netop samlinger \u2013 b\u00e5de samling af to kroppe i forelskelse og videnskabelige samlinger p\u00e5 museer. 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