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\"..\/..\/_assets\/Anne-Skole-Overgaard-Rose-512x349-5380999f013c.jpeg\",\r\n        \"_265\": \"..\/..\/_assets\/Anne-Skole-Overgaard-Rose-265x181-0e4bf4e32b34.jpeg\"\r\n      },\r\n      \"ar\": 0.6819923371647509,\r\n      \"alt\": \"\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-size: 16px;\\\">Periode<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">04 juni \u2013 03 juli 2022<\/span><br \/><br \/><span style=\\\"text-decoration: underline;\\\">Fernisering<br \/><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">fredag d. 3. juni kl. 17.00-21.00<\/span><br \/><\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-size: 16px;\\\">\u00c5bningstider<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\">tors-s\u00f8n kl. <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">13.00-17.00<\/span> i perioden d. 4. juni - d. 3. juli 2022<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Plakater og billboard kan ses d\u00f8gnet rundt i stationens ankomsthal og p\u00e5 pladsen under togbroen.<br \/><br \/><span style=\\\"text-decoration: underline;\\\">Find vej<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\">Ernst Kapers Vej 1, 2450 K\u00f8benhavn V.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">St\u00f8tte<\/span><br \/>Udstillingen er st\u00f8ttet af Statens Kunstfond, K\u00f8benhavns Kommunes R\u00e5d for Visuel Kultur og Ny Carlsberg Fonden. <br \/>Tak til Statens V\u00e6rksteder.\u00a0<br \/><br \/><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 711,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Udstillingens kunstnere arbejder med farver; midnatsbl\u00e5 og abrikos \u2013 og mange andre nuancer. De beskriver forskellige \u201dlandskaber\u201d b\u00e5de udenfor og indeni os og besk\u00e6ftiger sig med det cykliske, forg\u00e6ngelighed, kropslighed og k\u00f8n.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Udenfor m\u00f8des beskueren af et billboard af\u00a0<b>Jens Axel Beck<\/b>, hvor et m\u00f8rkt, goldt landskab oplyses af r\u00f8dlige kugler. Plakaterne i forhallen er gule felter, som Jens Axel Beck forbinder med en sort linje, der undervejs m\u00f8der geometriske figurer. I udstillingsrummet<b>\u00a0<\/b>opl\u00f8ser Jens Axel Beck skellet mellem maleri og skulptur og imellem dagligdags genstande og kunst. P\u00e5 en kasseret k\u00f8kkenl\u00e5ge har han malet sine f\u00f8dder i naturalistisk oliemaleri. \\\"Hvid mands udsigt\u201d er v\u00e6rkets titel som p\u00e5 humoristisk vis spiller p\u00e5 \u201dden hvide mands blik\u201d der har domineret vestlig kunsthistorie, s\u00e6rligt maleriets tradition. Jens Axel Beck tager udgangspunkt i sig selv, i dette knap s\u00e5 heroiske portr\u00e6t af \u201ddet maskuline\u201d.<\/span><br \/><br \/><span style=\\\"font-size: 16px;\\\"><b>Anna Skov Hassing<\/b>\u00a0udstiller et maleri af en kat foran flagrende gardiner. Det er inspireret af en\u00a0landsby i Kasakstan, hvor indbyggerne p\u00e5 uforklarlig vis, pludselig begyndte at falde i ukontrollerbar hallucinerende s\u00f8vn, der kunne vare ved i dagevis. Anna Skov Hassing er optaget af hvordan flere virkeligheder kan v\u00e6re til stede p\u00e5 samme tid.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><b>Emm Berrings<\/b>\u00a0taktile landskabs-agtige malerier tager udgangspunkt i naturen som en kropslig erfaring, som noget der omslutter \u00e9n og som man interagerer med \u2013 i mods\u00e6tning til landskabet som noget man ser p\u00e5, og m\u00e5ske endda behersker med sit blik. Den \u00e5bne, interagerende tilgang er ogs\u00e5 kendetegnende for den maleriske proces, hvor farver og former gror organisk frem, til flertydige, men samtidigt pr\u00e6cise malerier.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\"><b>Anne Skole Overgaard\u00a0<\/b>udstiller to changerende og kropslige blomsterakvareller p\u00e5 sort papir. Hun twister blomsterakvarellens tradition, der b\u00e5de kan ses som undertrykkende, men ogs\u00e5 som et sublimeret udtryk for f\u00f8lelser og drifter blandt 1800tallets kvinder i de p\u00e6nere hjem.<\/span><\/p><p style=\\\"line-height: 1;\\\"><span style=\\\"font-size: 16px;\\\">Som pendant til maleriets n\u00e6rv\u00e6r, arbejder\u00a0<b>Aske Thiberg\u00a0<\/b>ligeledes materielt med 3D-animeret video om fremmedgjorthed og ensomhed. Han har taget udgangspunkt i samtaler og billeder fra online chatfora for unge der har valgt at lukke sig inde p\u00e5 deres v\u00e6relse igennem l\u00e6ngere tid og har skabt et r\u00f8rende v\u00e6rk om isolation og online f\u00e6llesskab.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 712,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=2321"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/2321\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/2323"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=2321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=2321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=2321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}