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NeuePixelGrotesk_Regular;\\\"><br \/><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Kom forbi til en romantisk tildragelse med rituel \u00e5bning<\/span> fredag d. 30 maj, 17 \u2014 21 <span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">p\u00e5 stationen<\/span><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><br \/><\/span><br \/><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"text-decoration: underline;\\\"><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">\u00c5bningstider<\/span><br \/><\/span><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Torsdag <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">\u2014 s\u00f8ndag, 13 \u2014 17<\/span><\/span><br \/><br \/><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a><br \/><\/span><span lang=\\\"DA\\\" style=\\\"font-size: 16px;\\\"><br \/>For yderligere informationer omkring udstillingen Nocturne <\/span><span style=\\\"font-size: 16px;\\\">kontakt <\/span><span style=\\\"font-size: 16px;\\\">Morten K Jacobsen p\u00e5 tlf <\/span><span style=\\\"font-size: 16px; font-family: NeuePixelGrotesk_Regular;\\\">42201111<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div style=\\\"line-height: 1;\\\"><div id=\\\"post-body-3643907935043130642\\\" class=\\\"post-body entry-content\\\" style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1.2;\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"Standard\\\"><div style=\\\"line-height: 1;\\\"><div class=\\\"FreeForm\\\"><div><span style=\\\"font-size: 16px;\\\">Jonas Jensen, Julia Anna Carina Ekstr\u00f6m, Agnete Bertram, Christian Lemmerz,\u00a0Frederikke Andersen: Nocturne<br \/>Kurateret af Morten K Jacobsen<br \/><br \/>- Stendhal<\/span><\/div><div><span style=\\\"font-size: 16px;\\\"><i>En d\u00f8gnflue f\u00f8des klokken ni om formiddagen en sommerdag og d\u00f8r klokken fem om aftenen; hvor skulle den kunne begribe ordet: Nat?<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\">- Goethe\u00a0<\/span><\/div><div><span style=\\\"font-size: 16px;\\\"><i>Jeg vilde ikke kunne tegne nu, ikke en Streg, og dog har jeg aldrig v\u00e6ret en st\u00f8rre Maler end i disse \u00d8jeblikke<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Forfaldet til ekstase<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Alt s\u00e6tter du saa lavt, fordi du selv er saa ringe\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Jeg arbejder helst impulsivt og hurtigt og som det staar, saadan staar det: saa sker det ikke sj\u00e6ldent, han giver mig en Skrivelse tilbage og siger: Den er god, men se den n\u00f8jere igennem, man finder altid et bedre Ord, en renere partikel<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Hvad jeg fort\u00e6ller dig, er ikke overdrevet, ikke kunstnerisk forfinet og udformet, ja jeg t\u00f8r vel sige, svagt, saare svagt har jeg fortalt det og udvisket dets Linjer har jeg ved at skildre det med vort vaneagtige s\u00f8mmelige Ordforraad<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Denne K\u00e6rlighed, denne Trofasthed, denne Lidenskab er ingen digterisk Fantasi. Den lever, den er til i sin finest Renhed blandt den Klasse Mennesker vi kalder udannede og raa. Vi dannede misdanner til intet!\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>L\u00e6s denne fort\u00e6lling med andagt, beder jeg dig. Jeg er i dag rolig og stille, mens jeg skriver den ned. Du ser af min Haand, jeg ikke jager og jasker som jeg plejer<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Hynde af st\u00f8v<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Staar jeg ikke er i min fulde Kraft? Og i Morgen ligger jeg udstrakt paa Jorden, uden Vilje! D\u00f8 ! Hvad betyder det? Se, vi dr\u00f8mmer, naar vi taler om D\u00f8den\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Mangen har jeg set d\u00f8; men saa sn\u00e6vre er Menneskehedens Gr\u00e6nser, at den ikke er gennemtr\u00e6ngt af nogen klar Bevidsthed om sin Tilv\u00e6relses Begyndelse og Ende<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Jeg havde en veninde, der bet\u00f8d alt for mig i min raadvilde Ungdom. Hun d\u00f8de og jeg fulgte hendes Lig og stod ved Graven, da de s\u00e6nkede Kisten ned, og Rebene skurrende blev borte under den og atter kom til Syne med et Ryk, da de f\u00f8rste Skovle Jord faldt med et tungt Skred, og Kisten angstfuld gav en dump Lyd tilbage, mere dump og bestandig mere dump \u2026 og endelig forsvundet! Jeg styrtede hen til Graven \u2026 ganske t\u00e6t til Randen \u2026 grebet, rystet, sk\u00e6lvende af Angst, med et Hjerte der var s\u00f8nderrevet, men jeg vidste ikke, hvad der h\u00e6ndte mig \u2026 hvad der skal h\u00e6nde mig \u2026<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>D\u00f8! Grav ! jeg forst\u00e5r ikke de ord!\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>En nabo saa Skudglimtet, og h\u00f8rte Skudet falde. Da alt derefter vedblev at v\u00e6re stille, t\u00e6nkte han ikke synderligt derover<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\">\u2013 Borges<\/span><\/div><div><span style=\\\"font-size: 16px;\\\"><i>Denne absolutte monisme eller idealisme g\u00f8r videnskabelig t\u00e6nkning umulig. At forklare (eller bed\u00f8mme) en kendsgerning er at s\u00e6tte den i forbindelse med en anden\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Tl\u00f6ns metafysikere s\u00f8ger ikke sandheden, ikke engang sandsynligheden; de s\u00f8ger overraskelsen<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>En af Tl\u00f6ns skoler g\u00e5r s\u00e5 vidt som til at ben\u00e6gte tiden: den r\u00e6sonnerer at nutiden er uendelighed, at fremtiden kun har realitet som nutidigt h\u00e5b, og at fortiden kun har realitet som nutidig erindring<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>\u00c5rhundrede efter \u00e5rhundrede af idealisme har ikke undg\u00e5et at p\u00e5virke virkeligheden<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>To personer s\u00f8ger efter en blyant; den f\u00f8rste finder den og siger ikke noget; den anden finder en anden blyant, som ikke er mindre reel, men afpasset hans forventninger\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>N\u00e6sten \u00f8jeblikkeligt gav virkeligheden efter, p\u00e5 mere end \u00e9t punkt. Sandheden er, at den l\u00e6ngtes mod at give efter. For ti \u00e5r siden var hvilken som helst symmetri, der gav indtryk af orden \u2013 den dialektiske materialisme, antisemitisme , nazisme \u2013 tilstr\u00e6kkelig til at henrykke folk\u00a0<\/i><\/span><\/div><div>\u00a0<\/div><div><span style=\\\"font-size: 16px;\\\"><i>Det er omsonst at indvende at virkeligheden ogs\u00e5 er velordnet. Det er muligt, den er det, men i overensstemmelse med guddommelige love \u2013 jeg overs\u00e6tter: umenneskelige love \u2013 som vi aldrig vil kunne fatte. 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