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style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\"><em>Backyard History I,<\/em>\u00a02 glasmontre \u00e1 96 x 36 x 93 cm, fundne sk\u00e5r af porcel\u00e6n, keramik, glas og knive fra barndomshaven og \u2019reproduktioner\u2019 i glas og porcel\u00e6n, 2013.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1;\\\"><span style=\\\"font-size: 12px;\\\">V\u00e6rket blev vist f\u00f8rste gang p\u00e5 Turku Biennalen 2013 p\u00e5 kunstmuseet, Ars Nova (FI), hvor de fundne genstande fra barndomshaven blev udstillet p\u00e5 samme vis, som ark\u00e6ologiske fund fra middelalderens Turku i det historiske museum, Aboa Vetus i samme bygning.<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2094,\r\n          \"cont\": \"..\/..\/_assets\/4.H-J-E-M-416a7256ef79.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/4.H-J-E-M-416a7256ef79.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/4.H-J-E-M-1024x683-188f72f4611e.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/4.H-J-E-M-768x512-d46312a69a6b.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/4.H-J-E-M-512x341-465ad4d90fbf.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/4.H-J-E-M-265x177-9d4940d670e9.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 12px;\\\"><i>Backyard History I<\/i>, (detalje), diverse glas- og porcel\u00e6nssk\u00e5r samt reproduktioner i glasmontre og p\u00e5 v\u00e6g, 2013<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2093,\r\n          \"cont\": \"..\/..\/_assets\/5.H-J-E-M-bc9687804743.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/5.H-J-E-M-bc9687804743.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/5.H-J-E-M-1024x683-882976eabdce.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/5.H-J-E-M-768x512-2680bb814ee3.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/5.H-J-E-M-512x341-2b963fc3ce2d.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/5.H-J-E-M-265x177-897affda33f7.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 12px;\\\"><i>Backyard History I<\/i>, (detalje), fajance tallerken og oph\u00e6ng p\u00e5 v\u00e6g (reproduktion fremstillet ud fra et fajance sk\u00e5r fra baghaven udstillet i glasmontre), 2013<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2092,\r\n          \"cont\": \"..\/..\/_assets\/6.H-J-E-M-52be408544cf.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/6.H-J-E-M-52be408544cf.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/6.H-J-E-M-1024x684-31582b438612.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/6.H-J-E-M-768x513-54946217cf84.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/6.H-J-E-M-512x342-f109a3d7fc5b.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/6.H-J-E-M-265x177-82f7d869c3f4.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\">Backyard History I, (detalje), diverse glassk\u00e5r i glasmontre, 2013<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2091,\r\n          \"cont\": \"..\/..\/_assets\/7.H-J-E-M-ae8c83f86bbc.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/7.H-J-E-M-ae8c83f86bbc.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/7.H-J-E-M-1024x683-5d7744c3ccfd.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/7.H-J-E-M-768x512-eb6e876b666e.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/7.H-J-E-M-512x341-a8fec5682f41.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/7.H-J-E-M-265x177-22affc4cfe1c.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>Backyard History I<\/i>, (detalje), diverse, udvalgte glassk\u00e5r samt reproduktioner p\u00e5 podie i glasmontre, 2013<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2090,\r\n          \"cont\": \"..\/..\/_assets\/8.H-J-E-M-8ccb03edb859.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/8.H-J-E-M-8ccb03edb859.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/8.H-J-E-M-1024x683-1f86e5814fe0.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/8.H-J-E-M-768x512-8a049888af85.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/8.H-J-E-M-512x341-4d6437f4ad86.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/8.H-J-E-M-265x177-5478797ef993.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 12px;\\\"><em>Backyard History I<\/em>, (detalje), tekst p\u00e5 glasmontre:<\/span><\/p><p style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 12px;\\\">\u201dI 1983 flyttede min familie og jeg ind i et hus p\u00e5 landet. En dag tr\u00e5dte jeg et stort stykke glassk\u00e5r op i foden, mens jeg legede i haven. Jeg var ikke klar over, hvad der var sket, f\u00f8r jeg bem\u00e6rkede de blodige fodspor efter mig i huset. Da jeg opdagede glasset I foden, blev smerten uudholdeligt. Vi fandt senere ud af, at de tidligere ejere havde brugt haven som en losseplads, og den var fyldt med itusk\u00e5ret glas og porcel\u00e6n \u2013 det begr\u00e6nsede vor leg i haven.\u201d, 2013<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2089,\r\n          \"cont\": \"..\/..\/_assets\/9.H-J-E-M-c6e0087ed54e.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/9.H-J-E-M-c6e0087ed54e.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/9.H-J-E-M-1024x732-eced67cf796b.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/9.H-J-E-M-768x549-47810a07381a.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/9.H-J-E-M-512x366-774108c393f7.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/9.H-J-E-M-265x189-8cb1ead5b883.jpg\"\r\n          },\r\n          \"ar\": 0.715,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>Uden titel<\/i>, 8 indrammede linoleumstryk (oliebaseret sv\u00e6rte og rispapir) \u00e1 31,5 x 41,5 cm, 2014. <br \/>En serie grafiske tryk af udvalgte, omsluttende linoleums(rest)dele fra fremstilling af diverse elementer til stop-motion animation<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2088,\r\n          \"cont\": \"..\/..\/_assets\/10.H-J-E-M-298f0cb51db8.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/10.H-J-E-M-298f0cb51db8.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/10.H-J-E-M-1024x683-02342e76097a.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/10.H-J-E-M-768x512-06306335a6b7.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/10.H-J-E-M-512x341-1a8fa5e8acf7.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/10.H-J-E-M-265x177-0a61b02d3b83.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>H J E M,<\/i>\u00a0installation view, 2015<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2087,\r\n          \"cont\": \"..\/..\/_assets\/11.H-J-E-M-f14c77340a7a.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/11.H-J-E-M-f14c77340a7a.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/11.H-J-E-M-1024x683-acde8f292ce8.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/11.H-J-E-M-768x512-c4ead9e60585.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/11.H-J-E-M-512x341-26f4f311fe20.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/11.H-J-E-M-265x177-d5963ed23ba9.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 12px;\\\"><em>En S\u00f8r\u00f8ver Parafrase<\/em>, stop-motion animation, TRT: 3 min, 2015.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 12px;\\\">En parafrase p\u00e5 en hjemmelavet filmrulle med S\u00f8r\u00f8ver Sally fra 1983<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2086,\r\n          \"cont\": \"..\/..\/_assets\/12.H-J-E-M-6a4e54302aed.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/12.H-J-E-M-6a4e54302aed.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/12.H-J-E-M-1024x683-38223e14b9e8.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/12.H-J-E-M-768x512-6212a7bf7aa0.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/12.H-J-E-M-512x341-2b655f4aca39.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/12.H-J-E-M-265x177-e4646990bb72.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 12px;\\\"><i>Uden titel<\/i>, 1 forkullet br\u00f8d, en samling p\u00e5 10 strandsnegle og muslingeskaller og 2 indt\u00f8rrede kontaktlinser i glasmontre p\u00e5 bemalet jernstativ, 91,5 x 42 x 151,4 cm, 2015. <\/span><br \/><span style=\\\"font-size: 12px;\\\">Biprodukter til stop-motion film og andre levn: glemt br\u00f8d i ovnen, fundne strandsnegle og muslingeskaller fra diverse rejser og et par glemte m\u00e5nedslinser<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2085,\r\n          \"cont\": \"..\/..\/_assets\/13.H-J-E-M-7cd897e19c22.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/13.H-J-E-M-7cd897e19c22.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/13.H-J-E-M-1024x683-67cabce10cde.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/13.H-J-E-M-768x512-98c16aed5de2.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/13.H-J-E-M-512x341-5093950fdfb1.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/13.H-J-E-M-265x177-a2897e4d1b82.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>Uden titel<\/i>, (detalje), forkullet br\u00f8d, 2015<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2084,\r\n          \"cont\": \"..\/..\/_assets\/14.H-J-E-M-ee9847f913bf.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/14.H-J-E-M-ee9847f913bf.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/14.H-J-E-M-1024x684-5e6ea6a76633.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/14.H-J-E-M-768x513-695485acb891.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/14.H-J-E-M-512x342-4990b3bb5907.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/14.H-J-E-M-265x177-a7af9197d12c.jpg\"\r\n          },\r\n          \"ar\": 0.6683333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>Uden titel<\/i>, (detalje), 10 forladte strandsnegle og muslingeskaller indsamlet p\u00e5 diverse rejser, 2015<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2083,\r\n          \"cont\": \"..\/..\/_assets\/15.H-J-E-M-d457bc395677.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/15.H-J-E-M-d457bc395677.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/15.H-J-E-M-1024x697-03122120fc10.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/15.H-J-E-M-768x523-02c0dec69b23.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/15.H-J-E-M-512x349-9bbb2f4be13e.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/15.H-J-E-M-265x180-6f96442a45b7.jpg\"\r\n          },\r\n          \"ar\": 0.6808333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>Uden titel<\/i>, (detalje), 2 indt\u00f8rrede m\u00e5nedslinser, som har v\u00e6ret benyttet i halvanden m\u00e5ned, 2015<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2082,\r\n          \"cont\": \"..\/..\/_assets\/16.H-J-E-M-1b6642a73b35.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/16.H-J-E-M-1b6642a73b35.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/16.H-J-E-M-1024x681-875c4ca0c6b2.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/16.H-J-E-M-768x511-6776f22e39e2.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/16.H-J-E-M-512x340-5f9b023e63c6.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/16.H-J-E-M-265x176-3ef85a58f537.jpg\"\r\n          },\r\n          \"ar\": 0.665,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 12px;\\\"><em>Opgang<\/em>, 10 linoleumstryk (oliebaseret sv\u00e6rte og trykpapir) \u00e1 80 x 120 cm, 2015.<\/span><\/p><p style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 12px;\\\">En serie grafiske tryk, som gengiver Heidi\u2019s samt sine naboers d\u00f8rm\u00e5tter fra lejlighedsopgang<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2081,\r\n          \"cont\": \"..\/..\/_assets\/17.H-J-E-M-c4de30f32ffe.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/17.H-J-E-M-c4de30f32ffe.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/17.H-J-E-M-1024x689-cf8982906be1.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/17.H-J-E-M-768x517-8cd5b3bb9bae.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/17.H-J-E-M-512x345-c1102558beed.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/17.H-J-E-M-265x178-7986fcdb7783.jpg\"\r\n          },\r\n          \"ar\": 0.6733333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>H J E M,<\/i>\u00a04 ink-jet prints, 80 x 120 cm, 2015<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2080,\r\n          \"cont\": \"..\/..\/_assets\/18.H-J-E-M-26f3ca05949d.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/18.H-J-E-M-26f3ca05949d.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/18.H-J-E-M-1024x667-8d5b4e0a45c7.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/18.H-J-E-M-768x500-22ceb8fb9749.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/18.H-J-E-M-512x334-a2e6859ebe4f.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/18.H-J-E-M-265x173-e868f515da55.jpg\"\r\n          },\r\n          \"ar\": 0.6516666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<table style=\\\"font-weight: 400;\\\"><tbody><tr><td><p><span style=\\\"font-size: 12px;\\\"><em>H J E M,<\/em>\u00a0installation view fra stationsfoyeren, 2015.<\/span><\/p><\/td><\/tr><\/tbody><\/table>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2079,\r\n          \"cont\": \"..\/..\/_assets\/19.H-J-E-M-6d137edef157.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/19.H-J-E-M-6d137edef157.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/19.H-J-E-M-1024x683-43a80fd1c685.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/19.H-J-E-M-768x512-5ec4eee2d35b.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/19.H-J-E-M-512x341-cd38526f5ef1.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/19.H-J-E-M-265x177-67048a1fab34.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<table style=\\\"font-weight: 400;\\\"><tbody><tr><td><p><span style=\\\"font-size: 12px;\\\"><em>H J E M,<\/em>\u00a0installation view fra stationsfoyeren, 2015.<\/span><\/p><\/td><\/tr><\/tbody><\/table>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 2078,\r\n          \"cont\": \"..\/..\/_assets\/20.H-J-E-M-965381b2989e.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"..\/..\/_assets\/20.H-J-E-M-965381b2989e.jpg\",\r\n            \"_1024\": \"..\/..\/_assets\/20.H-J-E-M-1024x683-fc1c5260826a.jpg\",\r\n            \"_768\": \"..\/..\/_assets\/20.H-J-E-M-768x512-85339e19879f.jpg\",\r\n            \"_512\": \"..\/..\/_assets\/20.H-J-E-M-512x341-a0576929a915.jpg\",\r\n            \"_265\": \"..\/..\/_assets\/20.H-J-E-M-265x177-b6210c1f696d.jpg\"\r\n          },\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p><span style=\\\"font-size: 12px;\\\"><i>H J E M<\/i>, informationsh\u00e6fte, 2015<\/span><\/p>\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Periode<br \/><\/span><\/span>21 mar <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">\u2014 <\/span>19 apr 2015<\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Fernisering<br \/><\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Fernisering fredag d. 20 mar, 17 \u2014 21<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\"><br \/><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"text-decoration: underline;\\\">\u00c5bningstider<br \/><\/span>Torsdag \u2014 s\u00f8ndag, 13 \u2014 17 eller efter aftale<span style=\\\"text-decoration: underline;\\\"><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Plakaterne kan ses<span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"> d\u00f8gnet rundt<\/span> i ankomsthallen p\u00e5 Sydhavn Station<br \/><\/span><\/span><\/span><span style=\\\"font-size: 16px;\\\"><br \/><\/span><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">St\u00f8tte<br \/><\/span><\/span><span style=\\\"font-size: 16px;\\\">Tak til: <\/span><span style=\\\"font-size: 16px;\\\">Den Ingwersenske Fond, Gustaf Packal\u00e9ns Mindefond, Grosserer L.F. Foghts Fond, T\u00f6nne von Christiersons Legat, Statens V\u00e6rksteder for Kunst, Kgs. Enghave Lokaludvalg, Statens Kunstfond og K\u00f8benhavns Kommune<\/span><\/p><p class=\\\"_Br\u00f8d\\\" style=\\\"line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com <\/span><\/a><br \/><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">I \u00e5rene fra 1950 - 1997 samlede<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">en landmand i Nordjylland<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">en masse sten fra markerne<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">omkring sin g\u00e5rd. Stenene<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">var en stor byrde for ham<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">og forhindrede ham i at dyrke<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">jorden. Til meget stort besv\u00e6r blev<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">hundredvis af sten i forskellige<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">st\u00f8rrelser fjernet fra markerne<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">og placeret i en stor dynge n\u00e6r<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">g\u00e5rden. De sm\u00e5 blev fjernet med en<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">skovl, andre med hest eller traktor,<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">mens de store m\u00e5tte spr\u00e6nges i stykker<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">med assistance fra naboer.<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">Landmanden var min morfar.<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">Han d\u00f8de i 1997, men mange \u00e5r senere<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">stod stendyngen der stadig ved<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">g\u00e5rden som et sejrsmonument<\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">for et livslang arbejdsliv.<br \/><br \/>\/\/<br \/><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em><br \/>In the years from 1950 \u2013 1997,<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>a farmer in northern Jutland (DK)<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>gathered a large quantity of stones<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>from the fields around his farm.<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>The stones were a great burden<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>and prevented him from cultivating<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>the land. With extreme difficulty,<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>hundreds of stones of various sizes<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>were removed from the fields and<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>placed in a large pile near the farm.<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>The small ones were removed with<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>a shovel, others with horse or tractor,<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>while the major ones were burst into<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>pieces with assistance from the neighbors.<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>The farmer was my grandfather.<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>He died in 1997, but many years later<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>the pile of stones was still standing at<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>the farm as a victory monument to<\/em><\/span><\/p><p style=\\\"line-height: 1.1; text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><em>a lifetime of hard work.<br \/><br \/><\/em><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div id=\\\"post-body-3643907935043130642\\\"><p><strong><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Hjemmet som Wunderkammer, Mindeteater og Tomrum<br \/><\/span><\/strong><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">INTERVIEW AF MARIE BRUUN YDE<\/span><\/p><p><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\"><strong><br \/>Hjem er et flertydigt begreb.\u00a0Med internet, globalisering og urbanisering kan hjemmet\u00a0som et stabilt tilbagetr\u00e6kningssted\u00a0synes for l\u00e6ngst at v\u00e6re fortid. Omvendt findes\u00a0behovet for beskyttelse, privathed og individualitet stadig.\u00a0I litteratur og film skildres hjemmet b\u00e5de som uspoleret idyl, fx hos Morten Korch, og som rede for perversion og forbrydelser, fx i David Lynchs\u00a0Twin Peaks. I\u00a0Dr\u00f8mmetime med Janosch\u00a0kommer tigeren og bj\u00f8rnen i tvivl om, om Panama er et bedre sted end deres elskede hjem, men deres f\u00e6rd for at finde det ender atter hjemme, der nu opfattes som Panama og verdens bedste sted. I \\\"Asyl for hjeml\u00f8se\\\"\u00a0problematiserer den tyske filosof Adorno det ikke at kunne bo og have privatliv nogen steder, hverken i borgerskabets tyngende eller i funktionalismens rene, upersonlige strukturer. S\u00e5ledes synes hjemmet som kunstnerisk sted n\u00e6rmest at v\u00e6re noget, der kun er der, n\u00e5r det ikke er der. Hvad repr\u00e6senterer hjemmet for dig?<\/strong><br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Man t\u00e6nker ofte hjem som en bestemt lokalitet, men det er m\u00e5ske snarere en tilstand eller f\u00f8lelse?\u00a0Hjem er en proces \u2013 en slags tankeproces, som hele tiden er i forandring. Ens forhold til hjemmet skabes gennem en g\u00f8ren og en v\u00e6ren over tid, hvor de ydre rammer, som repr\u00e6senterer det s\u00e5kaldte\u00a0hjem, m\u00f8der ens personlige, psykologiske s\u00e5vel som fysiske behov, der er med til at skabe hjemmef\u00f8lelsen. Det er alts\u00e5 en tilstand, som rykker sig hele tiden og ligger i forl\u00e6ngelse af en selv. Hjemmet er ligesom erindringen en konstruktion. De adskilte bogstaver i titlen H J E M fremh\u00e6ver hjemmet som en sammensat st\u00f8rrelse, hvor de enkelte dele tilsammen udg\u00f8r en st\u00f8rre enhed og den betydning, et hjem kan have, fx en base for tryghed. Hvis alle enhederne, faktorerne eller forholdene ikke er til stede, forrykkes hjemmet fra relation til udelukkende funktion og bliver blot en bolig. Det har jeg oplevet flere gange. Derfor repr\u00e6senterer hjemmet for mig en skr\u00f8belig form, som til stadighed er foranderlig og afh\u00e6ngig af ens velbefindende.<\/span><br \/><br \/><strong><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Serien\u00a0Opgang\u00a0viser mine naboers d\u00f8rm\u00e5tter. Det sp\u00e6nder fra en gulvt\u00e6pperest til motiver af gr\u00e6ske ornamenter eller blomsterm\u00f8nstre til statements s\u00e5 som\u00a0Life is Good. Mit forhold til mine naboer er meget overfladisk og best\u00e5r ofte kun i et\u00a0hej\u00a0i opgangen. Vi ved meget lidt om hinanden. Af ejendele kender jeg kun deres d\u00f8rm\u00e5tter. Det fik mig til at t\u00e6nke p\u00e5, hvorvidt man bevidst eller ubevidst bruger d\u00f8rm\u00e5tten som et betydningsdannende middel og aftryk, et ansigt udadtil. Ved at isolere og fremh\u00e6ve motivet igennem det forenklede udtryk \u00f8nsker jeg derfor at sp\u00f8rge ind til, hvad denne form for valg kan fort\u00e6lle os om hinanden \u2013 hvis noget? Hvilket ydre billede \u00f8nsker man at konstruere over for omverdenen?<\/span><\/strong><br \/><br \/><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">I mods\u00e6tning til d\u00f8rm\u00e5tterne, som udstilles udend\u00f8rs i plakatholderne i stationsfoyeren, b\u00e6rer den indend\u00f8rs udstilling pr\u00e6g af noget mere privat og v\u00e6rdifuldt, et slags skatkammer. Det omhandler banale barndomsberetninger og fortidsfragmenter, iscenesat og indpakket i en museal kontekst. Det er fragmenter og glimt fra en anden tid, et hjem fra fortiden.<br \/><\/span><br \/><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\"><strong>Det er to helt forskellige rum, du bringer sammen: Hjemmet, som indrammer livet og privatsf\u00e6ren, og skatkammeret, som indrammer det s\u00e6rlige, kostbare eller sj\u00e6ldne, et ekstrakt af det levede liv, udstillet i et offentligt museum. De fundne genstande bl.a. fra din barndomshverdag bliver som et koncentrat af et st\u00f8rre univers iscenesat som kuriositeter i et\u00a0mikrokosmos.\u00a0Du punkterer dog til dels skatkammeret som museal pr\u00e6sentationsramme, idet du netop bruger det til at vise almindelige og kasserede genstande som de indt\u00f8rrede kontaktlinser og forkullede br\u00f8d. Et sted herimellem m\u00f8des hjem og raritetskabinet i et personligt, b\u00e5de genkendeligt og nyt rum. Fungerer Wunderkammeret som en reference for dig?<\/strong><br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Wunderkammeret viser indsamlede naturhistoriske genstande, kunst og andre fund af interesse for samleren. Det kan m\u00e5ske forbindes til min udstilling, da det ogs\u00e5 handler om at indsamle forskellige historiske, eksotiske genstande fra en anden tid for derved at nyfortolke og sidestille dem med kunstgenstande, som bidrager til nye fort\u00e6llinger. Filmrullen bag En S\u00f8r\u00f8ver Parafrase, fra min barndom, som ikke udstilles, men afbildes her, ligner lidt et skattekort, da man kan fornemme tidens tand i det gule papir og de slidte kanter. Udstillingen best\u00e5r af elementer og brudstykker \u2013 ting, der ikke har nogen v\u00e6rdi som enkeltdele, men i arrangeringen till\u00e6gges v\u00e6rdi som i det klassiske Wunderkammer. Det tager alt sammen form som et slags mindeteater, hvor alle rekvisitterne er opstillet og udstillet i en blanding af fiktion, konstruktion og virkelighed.<br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\"><strong>Hvor kommer kuriositeterne fra, og hvordan finder de en ny plads igen?<\/strong><br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">De udstillede objekter i glasmontrer og de indrammede aftryk er delvis fundne objekter, spor og biprodukter fra menneskelig f\u00e6rden. Flere historier fra n\u00e6r fortid og nutid s\u00e6ttes i spil og sammenblandes p\u00e5 udstillingen. \u00c9n historie stammer fra min barndom, hvor jeg havde tr\u00e5dt et stykke glassk\u00e5r op i foden efter leg i haven. Vi var lige flyttet ind i et nyt hus p\u00e5 landet, men de tidligere husejere havde til vores irritation brugt haven som losseplads. Det begr\u00e6nsede vor leg i haven, og jeg husker is\u00e6r en h\u00e6ndelse, hvor jeg gik med et stykke glassk\u00e5r i foden i noget tid. 30 \u00e5r senere vendte jeg derfor tilbage til haven og fandt nogle af sk\u00e5rene, som nu udstilles i glasmontrer, sammen med enkelte tallerkener og kopper, som er rekonstrueret \u2013 i en facon, som, jeg t\u00e6nker, de vil have set ud som nye \u2013 for derved at sp\u00f8rge til, i hvilket lys vi ser vor egen fortid.<br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Genstandene p\u00e5 udstillingen er jo i virkeligheden ting, som ingen v\u00e6rdi har \u2013 det er affald \u2013 ting, som er g\u00e5et itu, henkastet og forladt, s\u00e5som en tom muslingeskal, glemte br\u00f8d i ovnen og indt\u00f8rrede kontaktlinser. Det er banaliteter fra et hverdagsliv. Det er efterladenskaber, som hver is\u00e6r har en historie \u2013 men som tilsammen bliver til en fort\u00e6lling.<br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\"><strong>Som jeg ser Sydhavn Station, arbejder stedet p\u00e5 flere m\u00e5der med at give et udstillingsvindue til reminiscenser, ufuldendte v\u00e6rker og ingenting, forst\u00e5et som en mods\u00e6tning til den konstante virksomhed og meningsfuldhed og det, der forventes. Positivt kan man kalde det for processualitet, mens synonymer som det uf\u00e6rdige, m\u00e5ll\u00f8se, tiloversblevne og uproduktive er mindre p\u00e5sk\u00f8nnede.\u00a0 Med tidens altdominerende v\u00e6kstdogme kan man n\u00e6sten f\u00e5 lyst til s\u00e6tte tempoet ned for vise andre veje. Kan ingenting, t\u00f8ven og v\u00e6rdil\u00f8shed ses som en modstand?<\/strong> <br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Ja, jeg synes det er vigtigt at besk\u00e6ftige sig med alle livets facetter, som eksempelvis det uh\u00e5ndgribelige, skr\u00f8belige og forg\u00e6ngelige. Det er som om, at der i vort samfund i dag ikke levnes megen plads til det, som ikke umiddelbart kan m\u00e5les og vejes. Ved at inds\u00e6tte banale hverdagsberetninger i en museal kontekst s\u00e5s der derfor ikke kun tvivl om vor tids v\u00e6rdis\u00e6tning, der skabes ogs\u00e5 en brille til at genopleve personlige, historiske \u00f8jeblikke fra en n\u00e6r fortid og de mange betydningslag, som de m\u00e5 indeb\u00e6re.<br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\"><strong>Kan Wunderkammeret som selektionsprincip s\u00e5 v\u00e6re en personlig m\u00e5de at skabe mening eller sk\u00f8nhed p\u00e5 midt i mods\u00e6tningen mellem det ydre krav om rationalitet og form\u00e5lstjenlighed over for en indre f\u00f8lelse af meningsl\u00f8shed og tab af hjem?<\/strong><br \/><br \/><\/span><span style=\\\"font-family: 'helvetica neue', sans-serif; font-size: 16px;\\\">Wunderkammeret kan vel n\u00e6rmest betegnes som en rejse i hukommelsen, i en dr\u00f8m, eller en anden verden. Det er en samling erindrings- eller associationsmateriale, som i sammens\u00e6tningen, rekonstruktionen eller udv\u00e6lgelsen f\u00e5r ny betydning. Men p\u00e5 den anden side bliver det ogs\u00e5 et showroom. Det er levn fra en fortid, som i nye kl\u00e6der f\u00e5r ny betydning. 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