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Refleksionen kan alene best\u00e5 i lysten til at indskrive sit udsagn i en bestemt optik, i dette tilf\u00e6lde en kunstkontekst. Kunsthistorien er en sl\u00e6gtshistorie, som v\u00e6rket indlemmes i, det f\u00e5r del i dens ry, dens erfaring, og...<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Hvad gjorde man f\u00f8r erfaringen?<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Ved det ikke. Det lyder religi\u00f8st.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Ok, lad mig omformulere; hvad betyder erfaring for det \u00e6stetiske?<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Den \u00e6stetiske erfaring er at g\u00e5 ned af en m\u00f8rk trappe; den kan forudsige trinenes h\u00f8jde, dybde, bredde etc. Er trinene disharmoniske i konstruktionen, tilskynder erfaringen at man st\u00f8tter sig til gel\u00e6nderet, eller finder lyset. Med tiden bliver man fortrolig med den p\u00e5g\u00e6ldende trappes \u2019disharmoni\u2019og kan navigere sikkert i m\u00f8rket. N\u00e5r man har erfaret at tredje trin er lavere end fjerde etc. afstemmes sanseapparatet efter det. Har man kun erfaring fra den p\u00e5g\u00e6ldende trappe, vil en mere korrekt proportioneret trappe virke disharmonisk. Og s\u00e5ledes; kan den \u00e6stetiske erfaring transformere<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">disharmoni til harmoni.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Er det ikke et paradoks at bruger en \u2019m\u00f8rk trappe\u2019 som eksempel p\u00e5 det \u00e6stetiske?<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Perception er meget mere end det sete og det umiddelbare. Tag eksempelvis Duchamps\u00a0<em>ready-mades<\/em>: objekterne han s\u00f8gte, skulle v\u00e6re \u00e6stetisk indifferente, alts\u00e5 hverken h\u00e6slige eller sk\u00f8nne, og dette var faktisk yderst vanskeligt. For, som Duchamp h\u00e6vdede, kiggede man l\u00e6nge nok, blev<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">objektet med tiden smuk. Det harmoniske (det sk\u00f8nne, red.) er ikke et naturprodukt, men et produkt af erfaring og genkendelighed. Paradokset er n\u00e6rmere, at disse<em>\u00a0ready-mades<\/em>\u00a0i vor tid, er alt andet end indifferente.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Hvis disharmoni bare er uerfarenhed, er kunst s\u00e5 ikke reduceret til et referentielt spil?<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">At referere er ikke at reducere. Al forst\u00e5else, al handling er erfaringsbaseret, selv insekters postulerede instinktive adf\u00e6rd er referentiel, virker det ikke, g\u00f8r de noget andet, virker d\u00e9t, forts\u00e6tter de (...) ligeledes refererer kunstv\u00e6rket til andre kunstv\u00e6rker, til sit ophav, kunsthistorien og dets fabel. S\u00e5ledes at enhver kunstnerisk handling er en citering.\u00a0<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Hvad giver kunstv\u00e6rket betydning?<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Referencen. Igennem den eller det diskuteres det virkningsfulde. Skelnen mellem det vi ser, det andre har set \u2013 og siden overleveret \u2013 kan ikke laves. Det andre har set, er det vi ser. Det vi ser vil andre se. Mediering er det reelle.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Er alle disse svar ikke banale?<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Jo, hvis du accepterer dem.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>Kunst g\u00f8r ting til tegn. Objektet til et referat. 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