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19:53:30","updated":"2026-01-22 03:54:06","seo_analyzer_scan_date":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/sydhavnstation.info\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/sydhavnstation.info\/category\/tidligere\/\" title=\"Tidligere\">Tidligere<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tPaul McCarthy og Peter Bonde: That Cool McCarthy\/Bonde Combination\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/sydhavnstation.info"},{"label":"Tidligere","link":"https:\/\/sydhavnstation.info\/category\/tidligere\/"},{"label":"Paul McCarthy og Peter Bonde: That Cool McCarthy\/Bonde 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neue', sans-serif;\\\">Der vil blive serveret meget gode \u00f8l af Brygger Keld, til meget billige penge, og en lille saltet n\u00f8d til at \u00e6gge t\u00f8rsten.<\/span><br \/><\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">\u00c5bningstider<\/span><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><br \/><span style=\\\"font-family: 'helvetica neue', sans-serif;\\\">Plakater kan ses d\u00f8gnet rundt i ankomsthallen p\u00e5 <span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">Sydhavn St.<\/span> og under t<span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">o<\/span>gbr<span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">o<\/span>en<br \/><\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">St\u00f8tte<\/span><br \/>Plakater er st\u00f8ttet af Statens Kunstfond<\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><span style=\\\"font-size: 16px;\\\"><a href=\\\"mailto:sydhavnstation@gmail.com\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">sydhavnstation@gmail.com<\/span><\/a> <\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"font-size: 16px;\\\">\u00a0<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Kuratorer: <\/span><span style=\\\"font-size: 16px;\\\">Morten K Jacobsen \/ Peter Bonde<strong>\u00a0<\/strong><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Udstillingstitlen er en Bonde-titel, et lille kip med kasketten til Kippenberger, en af mange interne og eksterne referencer i de to kunstneres virke. Bonde\/McCarthy er ligesom Kippenberger: punk \/\u00a0<span style=\\\"text-decoration: line-through;\\\">anti<\/span>kultur \/\u00a0<span style=\\\"text-decoration: line-through;\\\">\u00a0anti<\/span>kunst.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">McCarthy \/ Bonde er formet af 60\u2019er-70\u2019er-avantgarden, der igen er formet af DADA. Dadaisten Tristan Tsara proklamerede med vanlig selvh\u00f8jtidelighed at kunst er en privatsag. Det var ikke ment som en hyldest til den intime perception, men et forsvar for det kunstneriske super-ego, der producerer udelukkende for egne behov, uden tanke p\u00e5 opbyggelighed til\u00a0<em>folket<\/em>: kan du f\u00f8lge med, s\u00e5 g\u00f8r det, kan du ikke, surt. Det lyder nok i mere sarte \u00f8rer arrogant, men er det ikke mere arrogant at tro, at det man har at sige, har betydning for andre end en selv?<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">McCarthy \/ Bonde fremst\u00e5r som kunstnere med super-egoer, der med p\u00e5lagt heroisk gestik, b\u00e5de bekr\u00e6fter og underminerer samfundets id\u00e9 om det kunstneriske geni, de er ikke oplyste shamaner i folkets tjeneste, men idiosynkratiske selvoptagede kunstnerl\u00f8mler uden \u00f8je for det moralske imperativ. Deres super-egoer g\u00f8r dem ikke til signaturkunstnere, de er mixedmediakunstnere, uden materialehierarki: ketchup, \u00f8l, performance, skumgummimadrasser, spejlfolie, oppustelige genstande, video, maleri, bronze og pizza er alle legitime, kontemplative elemeter.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">McCarthy \/ Bonde er som s\u00e5dan ikke naivt optaget af destruktion og anti-handlinger, de er bare heller ikke optaget af opbyggelighed og f\u00e6llesgrund (<em>sensus communis<\/em>). I kunstrummet bliver det radikale udgangspunkt indoptaget, og igennem sin hyldest tranformeret til symbolik, gestik og til slut man\u00e9r. Det smadrede klaver bliver et prydsobjekt man samles omkring og kontemplerer over. Derfor er jokekunst og kunstnerisk indifference mere\u00a0<em>hardcore<\/em>\u00a0og realistisk end den vr\u00e6ngende politiserende kunst.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Efter DADA har vi l\u00e6rt at et hul i jorden har samme v\u00e6gt af betydning som den imposante obelisk. McCarthy \/ Bonde laver manifestl\u00f8s kunst, uden formuleret form\u00e5l eller nyttev\u00e6rdi, de forsvarer ikke deres v\u00e6rker, endsige k\u00e6mper for deres efterliv. Falder det, s\u00e5 falder det \u2013 noget vi andre dekadent kan nyde, som en pittoresk ruin kan nydes.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">McCarthy \/ Bonde er ikonoklaster med\u00a0<em>geschwung.<\/em><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>That Cool McCarthy \/ Bonde<\/em>\u00a0<em>Combination<\/em>\u00a0er ikke nihilisme, det er dionysisk ekstase, frigjort fra h\u00e5ndv\u00e6rkets disciplinering og m\u00e5dehold, v\u00e6rkerne er et ja til den tankel\u00f8se gestus, den pludselige og gerne t\u00e5belige indskydelse.\u00a0<em>That Cool McCarthy \/ Bonde<\/em>\u00a0<em>Combination<\/em>\u00a0er et modspil til det moralske snobberi, den d\u00e5rlige kunsts protektor.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Det var\u00a0<span style=\\\"text-decoration: line-through;\\\">vist<\/span>\u00a0det!<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Morten K Jacobsen, januar 2017<\/span><\/p><p>\u00a0<\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">(for english)<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><strong>That Cool McCarthy\/Bonde Combination<\/strong><\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Curators: <\/span><span style=\\\"font-size: 16px;\\\">Morten K Jacobsen \/ Peter Bonde\u00a0<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">The title of the exhibition is a title from Bonde; a little tip of the cap to Kippenberger, one of many internal and external references in the two artists\u2019 work. Bonde\/McCarthy are like Kippenberger: punk\/<span style=\\\"text-decoration: line-through;\\\">anti<\/span>-culture\/<span style=\\\"text-decoration: line-through;\\\">anti<\/span>-art.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><br \/><span style=\\\"font-size: 16px;\\\">McCarthy\/Bonde are formed by 60s and 70s avant-garde which again is formed by DADA. The Dadaist, Tristan Tsara, proclaimed with usual pompousness that art is a private matter. It was not meant as a tribute to the personal and intimate perception of art but rather as a defense for the artistic superego, which solely produces art to satisfy its own needs with no thought for edification of the people: can you keep up? Then do so; if you can\u2019t? Tough luck! It sounds arrogant, but isn\u2019t it more arrogant to believe that what you have to say, make sense for others than oneself?<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><br \/><span style=\\\"font-size: 16px;\\\">McCarthy\/Bonde are artists with superegos, who, with prescribed heroic gesticulation, both confirm and undermine society\u2019s idea of the artistic genius. They are not informed shamans servicing the people but rather idiosyncratic self-centred artistic yobbos with no eye for the moral imperative. Their superegos don\u2019t mean that they are signature artists; they are mixed media artists without hierarchy in their choice of materials: ketchup, beer, performance, foam rubber mattresses, mirror foil, inflatable objects, video, painting, bronze and pizza are all legitimate contemplative elements.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">McCarthy\/Bonde are not naively preoccupied by deconstruction and anti-acts as such, they just aren\u2019t concerned with edification and our common ground (<em>sensus communis<\/em>). In arts, the radical starting-point is assimilated and transformed to symbolism, gesticulation, and finally affectated panache. The shattered piano becomes an ornament to be gathered around and to be contemplated about. Joke-art and artistic indifference are therefore more\u00a0<em>hard-core<\/em>\u00a0and real than sneering, politicized art.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">After DADA we have learnt that a hole in the ground has the same value as the imposing obelisk. McCarthy\/Bonde produce art with no manifesto, with no articulated goal or utility, they don\u2019t defend their work of art, let alone fight for its afterlife; if it falls, it falls \u2013 something we decadently can enjoy as a picturesque ruin can be enjoyed.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">McCarthy\/Bonde are iconoclasts with\u00a0<strong><em>ge<\/em><\/strong><em>schwung<\/em>.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\"><em>That Cool McCarthy\/Bonde Combination\u00a0<\/em>is not nihilism. It is Dionysiac ecstasy liberated from the discipline and moderation of craft. In their works we see<strong>\u00a0<\/strong>a Yes! to thoughtless gesticulation, the sudden and preferably foolish impulse.\u00a0<em>That Cool McCarthy\/Bonde Combination\u00a0<\/em>is a counter-act to moral snobbery, the protector of poor arts.<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">That\u2019s\u00a0<span style=\\\"text-decoration: line-through;\\\">about<\/span>\u00a0it!<\/span><\/p><p style=\\\"font-weight: 400; line-height: 1.2;\\\"><span style=\\\"font-size: 16px;\\\">Morten K Jacobsen, January 2017<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 96,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1143,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 1716,\r\n            \"cont\": \"..\/..\/_assets\/McCarthy_bonde2-590bd487c961.jpeg\",\r\n            \"sizes\": {\r\n              \"full\": \"..\/..\/_assets\/McCarthy_bonde2-590bd487c961.jpeg\",\r\n              \"_1280\": \"..\/..\/_assets\/McCarthy_bonde2-1280x869-258d6715679a.jpeg\",\r\n              \"_1024\": \"..\/..\/_assets\/McCarthy_bonde2-1024x695-04c2a7e53ed0.jpeg\",\r\n              \"_768\": \"..\/..\/_assets\/McCarthy_bonde2-768x521-69ee84867f1a.jpeg\",\r\n              \"_512\": \"..\/..\/_assets\/McCarthy_bonde2-512x348-761cdfa624ba.jpeg\",\r\n              \"_265\": \"..\/..\/_assets\/McCarthy_bonde2-265x180-a96658ee6c2b.jpeg\"\r\n            },\r\n            \"ar\": 0.67875,\r\n            \"alt\": \"\"\r\n          }\r\n        ]\r\n      },\r\n      \"frameOverflow\": \"right\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/1714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=1714"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/1714\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/1716"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=1714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=1714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=1714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}