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class=\\\"_Br\u00f8d\\\"><span style=\\\"text-decoration: underline; font-family: NeuePixelGrotesk_Regular;\\\">St\u00f8tte<\/span><br \/><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">V\u00e6rket er st\u00f8ttet af Statens Kunstfond og Slots- og Kulturstyrelsen<\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\">ST. RESIDENS er st\u00f8ttet af Billedkunstnernes Forbunds Ophavsretsfond (BKFO)<\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"font-family: NeuePixelGrotesk_Regular;\\\"><span style=\\\"text-decoration: underline;\\\">Kontakt vedr. udstillingen<br \/><\/span><span style=\\\"font-size: 16px;\\\"><a href=\\\"mailto:sydhavnstation@gmail.com\\\">sydhavnstation@gmail.com <\/a>eller Mie Frederikke Fischer Christensen, mobil: (+45) 20546870. Mail: mie_frederikke@hotmail.com<\/span><\/span><\/p><p class=\\\"_Br\u00f8d\\\"><span style=\\\"font-size: 16px; font-family: NeuePixelGrotesk_Regular;\\\"><br \/><br \/><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-size: 16px;\\\"><strong>The Yes and No of All Things (Altings ja og nej).<\/strong><em> \u2013 en soloudstilling af Considered to be Allies \/ Mie Frederikke Fischer Christensen og Margaux Parillaud\u00a0<\/em><\/span><\/p><p><span style=\\\"font-size: 16px;\\\">I efter\u00e5ret 2020 startede Mie Frederikke Fischer Christensen sit residens ophold p\u00e5 Udstillingsstedet Sydhavn Station. Opholdet er snart ved vejs ende og dette afslutter hun med en soloudstilling med samarbejdspartneren Margaux Parillaud. Sammen danner de kunstnerduoen Considered to be Allies. P\u00e5 udstillingen kan du se video, videoinstallation, en patchwork frise i plakatstanderne, et 3D animeret still i billardet ude under togbroen og en performance til \u00e5bningen. Udgangspunktet for udstillingen er den kollektive oplevelse af intense naturh\u00e6ndelser. Euforien ved at v\u00e6re til stede i \u00f8jeblikket og synligg\u00f8relsen af universets hjerteslag er overv\u00e6ldende og stiller store sp\u00f8rgsm\u00e5l til vores eksistens alene og sammen. Siden 2019 har Covid-19 virussen budt os p\u00e5 en verdensomsp\u00e6ndende epidemi, som p\u00e5 kort tid har rykket ved vores kollektive bevidsthed. Konfrontationen med naturens store og sm\u00e5 cyklusser kan f\u00f8re til b\u00e5de euforiserende lykkef\u00f8lelse og liges\u00e5 stor sorg og afmagt. Altings ja og nej. M\u00e5ske finder vi et sted midt imellem, forandringen, og potentialet for at igangs\u00e6tte ny drejninger i og udenfor vores egen omkreds. <\/span><\/p><p><span style=\\\"font-size: 16px;\\\"><strong>I udstillingslokalet Videoinstallation: The Yes and No of All things (Altings ja og nej)<\/strong><br \/>3d animeret video i loop. 16.35 minutter. Rund v\u00e6g med huller. <br \/><br \/>Det d\u00e9r deroppe, <br \/>Os og cikaderne og fugle og slanger <br \/>\u00c8t stort dyrekor. Hylende, fl\u00f8jtende, hvinende <br \/>Alle de sorte huller I en f\u00e6lles klang <br \/>Som foroven - S\u00e5ledes forneden. <br \/>Alt dette og s\u00e5.. <br \/>\u201cOh-my-Gods!\u201d <br \/>\u201cOh-my-Gods!\u201d <br \/>Alle de hedonistiske hotspots forbundet. <br \/>Stof der vibrerer og s\u00e5 en byrde af lettelse. <br \/>Intet jeg betyder g\u00f8r det alligevel noget. <br \/><\/span><\/p><p><span style=\\\"font-size: 16px;\\\"><strong>Billboard udenfor stationen: \u201cFlaskehalsen drejer.\u201d<\/strong><br \/>En 3d animeret h\u00e5nd der drejer en flaske. Billedet er taget fra videoen der vises inde i udstillingen og billedet afs\u00f8ger i sig selv sp\u00e6ndingsfeltet mellem individet og f\u00e6llesskabet. Hvad betyder det at blive udpeget? Hvilke muligheder eller risici er der forbundet med at v\u00e6re en del af et f\u00e6llesskab. Flasken der drejer minder os om teenage\u00e5renes afs\u00f8gning af seksualitet og begr\u00e6nsningerne, men den bliver ogs\u00e5 et symbol p\u00e5 tid. Her hvor flasken er fastfrosset midt i sin rotation minder den os m\u00e5ske om et ur der er g\u00e5et i st\u00e5 og om sk\u00e6bnens tilf\u00e6ldigheder. Kan man dreje flasken s\u00e5 den lander der hvor man \u00f8nsker? hvor meget kan vi egentlig planl\u00e6gge os ud af? Plakatfrisen i forhallen: Krop spiser \u00e5nd - \u00e5nd spiser krop \/ Body eating spirit eating body. En lang slange snoer sig igennem forhallens plakatholdere. I mytologien er slangen forbundet med tid, b\u00e5de den line\u00e6re og den cykliske og slangen knyttes ogs\u00e5 mere specifikt til myten om solform\u00f8rkelsen. Her sluger slangen solen og efterlader jorden m\u00f8rklagt. I v\u00e6rket h\u00e9r er slangen blevet en del af stoffets struktur og som den kr\u00e6nger sig ind og ud af forgrund og baggrund bliver den en slags kalender der kortl\u00e6gger solen og planeternes indflydelse p\u00e5 vores liv - Jordens rotation, s\u00e6sonernes skiften og tidens gang med alle de sm\u00e5 og store minder og oplevelser der tilknytter sig. Tekstilerne er sammensat af naturfarvet stof som er indfarvet med planter. Blandt disse planter er kruset Skr\u00e6ppe og Rejnfan som man netop nu kan finde omkring Sydhavns Station. De bl\u00e5 tryk ogs\u00e5 kaldet cyanotopier er fotografiske kontaktkopier der er fremkaldt under solen i adskillige minutter. Begge processer er afh\u00e6ngige af solen og s\u00e6sonerne skiften og er b\u00e5de uforudsigelige og foranderlige. Ligesom slangen er tekstilerne i en fortsat transformativ process der med lysets indflydelse vil skifte udtryk henover tid. <\/span><\/p><p><span style=\\\"font-size: 16px;\\\"><strong>I det lille baglokale: D\u00e9calage<\/strong> <br \/>Video i loop 6 min<br \/>I udstillingsstedets mindre lokale kan man se video v\u00e6rket \u201cD\u00e9calage\u201d, et v\u00e6rk der dokumenterer den kollektive eufori ved solform\u00f8rkelsen i 2017, og som ligger til grund for resten af udstillingens tematik. Idet m\u00e5nen passerer foran solen d\u00e6kker den fuldst\u00e6ndig og i et \u00f8jeblik ser man kun den glitrende \u201ccorona\u201d af lys. Historisk er solform\u00f8rkelser blevet opfattet som d\u00e5rlige varsler da de afviger fra den faste rytme vi till\u00e6gger naturen. I 2017 blev den totale solform\u00f8rkelse dog det eneste der kunne samle en mere og mere splittet USA under en sol. D\u00e9calage er et fransk ord og refererer til en slags forskydning eller tab. En afvigelse i tid, oplevelse eller i kommunikation. Som med s\u00e5 mange af naturens opvisninger er vi ude af stand til at dokumentere og dele vores oplevelser bagefter. Frem for empati skabes der en forskydning som giver en f\u00f8lelse af fremmedg\u00f8relse fra oplevelsen. Indgangsvinklen til en andens oplevelse sker ikke gennem grynede billeder af prikker p\u00e5 en sk\u00e6rm men m\u00e5ske n\u00e6rmere gennem dokumentationen af de mennesker der gennemlever oplevelsen. D\u00e9calage, en forskydning, kan ogs\u00e5 referere til det tidstab eller jet-lag der findes imellem den forenende eufori fra solform\u00f8rkelsen i 2017 og vores nuv\u00e6rende covid-19 virkelighed. i bagklogskabens lys kunne solform\u00f8rkelsen nemt fortolkes som en varsel om fremtiden og pandemien som de kollektive t\u00f8mmerm\u00e6nd fra f\u00e6llesskabets eufori.<\/span><\/p><p><span style=\\\"font-size: 16px;\\\"><strong> Bio:<\/strong> Mie Frederikke Fischer Christensen and Margaux Parillaud er en fransk\/dansk kunstnerduo, der arbejder imellem Rennes (FR) og K\u00f8benhavn (DK). De har samarbejdet siden 2014, hvor de tog afgang fra De Rietveld Academie (NL) med et f\u00e6lles afgangsprojekt. Siden da har de sammen udstillet internationalt. Senest i juni 2021 p\u00e5 Performance festivalen \u201cResonance and Wonder\u201c p\u00e5 Overgaden institut for samtidskunst. Mie Frederikke Fischer Christensen er f\u00f8dt i 1989 i K\u00f8benhavn (Dk) og har i de sidste 2 \u00e5r boet og arbejdet i Danmark. I 2018 afsluttede hun sin Master i Fine Arts p\u00e5 School of the Art Institute i Chicago. I efter\u00e5ret 2020 startede hun op i projektet St. Residens p\u00e5 Udstillingsstedet Sydhavn Station. Et projekt som fokuserer p\u00e5 vigtigheden i en god og realistisk start p\u00e5 livet som billedkunstner, gennem praktik og kollegialt f\u00e6llesskab. Mie Frederikke Fischer Christensen bliver til efter\u00e5ret fast medlem af Udstillingsstedet Sydhavn Station. Det er vi alle meget glade for!<\/span><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 96,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/1538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/comments?post=1538"}],"version-history":[{"count":0,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/posts\/1538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media\/1545"}],"wp:attachment":[{"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/media?parent=1538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/categories?post=1538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sydhavnstation.info\/wp-json\/wp\/v2\/tags?post=1538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}